Selasa, 29 Maret 2011

[V630.Ebook] Ebook Demigods & Magicians: Percy and Annabeth Meet the Kanes, by Rick Riordan

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Demigods & Magicians: Percy and Annabeth Meet the Kanes, by Rick Riordan

Magic, monsters, and mayhem abound when Percy Jackson and Annabeth Chase meet Carter and Sadie Kane for the first time. Weird creatures are appearing in unexpected places, and the demigods and magicians have to team up to take them down. As they battle with Celestial Bronze and glowing hieroglyphs, the four heroes find that they have a lot in common--and more power than they ever thought possible. But will their combined forces be enough to foil an ancient enemy who is mixing Greek and Egyptian incantations for an evil purpose? Rick Riordan wields his usual storytelling magic in this adrenaline-fueled adventure.

  • Sales Rank: #2552 in Books
  • Published on: 2016-04-05
  • Released on: 2016-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.38" h x .75" w x 5.63" l, .68 pounds
  • Binding: Hardcover
  • 224 pages

About the Author
Rick Riordan (www.rickriordan.com) is the author of three # 1 New York Times best-selling series with millions of copies sold throughout the world: Percy Jackson and the Olympians, the Kane Chronicles, and the Heroes of Olympus. His Greek myth collection, Percy Jackson's Greek Gods, was a #1 New York Times bestseller as well. His previous novels for adults include the hugely popular Tres Navarre series, winner of the top three awards in the mystery genre. He lives in Boston, Massachusetts with his wife and two sons.

Most helpful customer reviews

20 of 22 people found the following review helpful.
Save your money -- previously published stories.
By HT
These short stories were included in prior books (the printed versions, not just the e-version like another reviewer said). If I had realized that, I wouldn't have spent money on this. However, my daughter, who is a huge fan and for whom I bought this, was still pretty excited to get this book.

10 of 11 people found the following review helpful.
Greek meet Egyptian!
By Amazon Customer
A fun crossover series of adventures as Percy Jackson and Annabeth Chase meet up with the Kane siblings to fight Egyptian/Greek crossover evils. The three short stories have been previously released as eBook only publications, but are now combined here in hardback format/dead tree format for the first time. If you already own the eBooks, there are still a few extras included. A one page letter from Percy explaining the set up. Plus samples from Sword of Summer, the first of the Norse Mythology series and the first few pages, a short chapter from the new, series where the Greek god Apollo has been turned into a human teen as punishment and turns to the demigods for help, including his buddy Percy.

An enjoyable addition to Rick Riordan's mythology in the modern world collection, but if you already own the eBooks, you many not want to spring for the pulp version.

6 of 6 people found the following review helpful.
Fans of either or both of the series will enjoy this book
By SciFiChick
I’m a big fan of the Percy Jackson series, so I jumped at the chance to read Demigods & Magicians, where Percy and Annabeth meet the Kane siblings. I don’t read the The Kane Chronicles, so I’m not as familiar with the characters. But the characters (especially Sadie) are fleshed out well.

Demigods & Magicians is comprised of three short stories. The first, is an adventure with the two boys as they meet while fighting a monstrous creature. The second story involves the two girls in a similar way. In the third story they all team up to take down the big baddie. Fans of either or both of the series will enjoy this book. The stories are exciting and humorous as the kids all get to know each other and the Egyptian magic versus the Greek demigod powers. It’s fast-paced and a fun, quick read.

*Review previously posted at SciFiChick.

See all 77 customer reviews...

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Minggu, 27 Maret 2011

[T470.Ebook] Download The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness, by Sy Montgomery

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The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness, by Sy Montgomery

Finalist for the 2015 National Book Award for Nonfiction

New York Times Bestseller

“Sy Montgomery’s The Soul of an Octopus does for the creature what Helen Macdonald’s H Is for Hawk did for raptors.” (New Statesman, UK)

Starred Booklist and Library Journal Editors’ Spring Pick

“One of the best science books of the year” – “Science Friday,” NPR

A Huffington Post Notable Nonfiction Book of the Year

One of the Best Books of the Month on Goodreads

Library Journal Best Sci-Tech Book of 2015

An American Library Association Notable Book of the Year

In this astonishing book from the author of the bestselling memoir The Good Good Pig, Sy Montgomery explores the emotional and physical world of the octopus—a surprisingly complex, intelligent, and spirited creature—and the remarkable connections it makes with humans.

Sy Montgomery’s popular 2011 Orion magazine piece, “Deep Intellect,” about her friendship with a sensitive, sweet-natured octopus named Athena and the grief she felt at her death, went viral, indicating the widespread fascination with these mysterious, almost alien-like creatures. Since then Sy has practiced true immersion journalism, from New England aquarium tanks to the reefs of French Polynesia and the Gulf of Mexico, pursuing these wild, solitary shape-shifters. Octopuses have varied personalities and intelligence they show in myriad ways: endless trickery to escape enclosures and get food; jetting water playfully to bounce objects like balls; and evading caretakers by using a scoop net as a trampoline and running around the floor on eight arms. But with a beak like a parrot, venom like a snake, and a tongue covered with teeth, how can such a being know anything? And what sort of thoughts could it think?

The intelligence of dogs, birds, and chimpanzees was only recently accepted by scientists, who now are establishing the intelligence of the octopus, watching them solve problems and deciphering the meaning of their color-changing camouflage techniques. Montgomery chronicles this growing appreciation of the octopus, but also tells a love story. By turns funny, entertaining, touching, and profound, The Soul of an Octopus reveals what octopuses can teach us about consciousness and the meeting of two very different minds.

  • Sales Rank: #11053 in Books
  • Published on: 2015-05-12
  • Released on: 2015-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x 1.80" w x 5.50" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review
“Enter the mysterious intelligent alien world of the octopus. Experience a real intelligence based on a sense of touch that humans can barely imagine.” (Temple Grandin, author of Animals in Translation)

"Renowned author Sy Montgomery's latest gem is a must read for those who want to dissolve the human-constructed borders between "them" (other animals) and us. Surely, there are large differences among nonhuman animals and between nonhuman and human animals, but there also are many basic similarities. Connecting with other animals is part of the essential and personal process of rewilding and reconnecting with other animals, and The Soul of an Octopus is just what is needed to close the gap." (Marc Bekoff, author of The Emotional lives of Animals)

"Diving deeper than Jules Verne ever dreamed, The Soul of an Octopus is a page-turning adventure that will leave you breathless. Has science ever been this deliciously hallucinatory? Boneless and beautiful, the characters here are not only big-hearted, they're multi-hearted, as well as smart, charming, affectionate...and, of course, ambidextrous. If there is a Mother Nature, her name is Sy Montgomery." (Vicki Constantine Croke, author of Elephant Company)

"In The Soul of an Octopus, Sy Montgomery immerses readers into an intriguing, seductive world just beneath the ocean waves and the lives of the creatures living within. In this beautifully written book, she brings empathy, insight, and an enchanting sense of wonderment to the bonds we inherently share with other beings—even those seeming far different from us." (Vint Virga, DVM The Soul of All Living Creatures)

“A captivating book on an intelligence as ‘alien’ as one from outer space. And its not science fiction.” (Bernd Heinrich, author of Mind of the Raven)

"Can an octopus have a mind and emotions, let alone a soul? Sy Montgomery faces these questions head-on in her engaging new book as she explores the world of octopuses, making friends with several and finding heartbreak when they die. They aren't, she discovers, simply brainless invertebrates, but personable, playful, conscious beings. Montgomery's enthusiasm for animals most of us rarely see is infectious, and readers will come away with a new appreciation for what it means to be an octopus." (Virginia Morell, author of ANIMAL WISE: How We Know Animals Think and Feel)

"With apparent delight, Montgomery puts readers inside the world of these amazing creatures. A fascinating glimpse into an alien consciousness." (Kirkus Reviews)

"The Soul of an Octopus is one of those works that makes you hope we can save the planet if for no other reason than to preserve the wondrous beasts we are fortunate enough to share it with." (Steve Lysaker, Outward Hounds)

"Sy Montgomery’s joyful passion for these intelligent and fascinating creatures will have you rethinking that order of calamari." (Library Journal Editors' Spring Pick)

"Sweet moments are at the heart of Montgomery's compassionate, wise and tender new book... Only a writer of her talent could make readers care about octopuses as individuals... Joins a growing body of literature that asks us to rethink our connection to nonhumans who may be more like us than we had supposed." (St. Paul Pioneer Press)

"I can't do justice to the wonder of this book, the joy and pain and fellowship and grief that Montgomery brings to life with her words...Completely engrossing and accessible." (malcolmavenuereview.blog)

"Montgomery's passion for other species is infectious...[Her] warmth and exuberance...make good reading, and her awe and admiration are uplifting... I felt informed, moved, and inspird - whieh is all a reader could possibly hope for from a book." (Union Leader)

"An engaging work of natural science... There is clearly something about the octopus’s weird beauty that fires the imaginations of explorers, scientists, writers." (The Daily Mail - UK)

"Delightful." (NATURE)

"Fascinating... touching... informative... Entertaining books like The Soul of an Octopus remind us of just how much we not only have to learn from fellow creatures, but that they can have a positive impact on our lives."

(DAILY BEAST)

"A gripping new book bridges the gap between humans and one of this planet's strangest and most wondrous creatures." (Global Newswire)

"Journalistic immersion... allows Montgomery to deliver a deeper understanding of the 'other,' thereby adding to our understanding of ourselves. A good book might illuminate something you knew little about, transform your world view, or move you in ways you didn't think possible. The Soul of an Octopus delivers on all three." (New Scientist)

"Charming and moving...with extraordinary scientific research." (The Guardian (UK))

"[Montgomery's] compassion and respect for the species make for a buoying read." (Newsday)

"Sy Montgomery's The Soul of an Octopus does for the creature what Helen Macdonald 's H Is for Hawk did for raptors." (New Statesman (UK))

"Informative and entertaining, part memoir and part scientific exploration, reminds us that if we are the best creatures on the planet at thinking, we can benefit by thinking about the creatures that may be doing it in some other way." (Columbus Dispatch)

"Naturalist Montgomery writes exceptionally affecting and enlightening books inspired by both rigorous scientific curiosity and enraptured wonder and empathy for all living beings...In prose as gripping and entwining as her
subjects’ many arms, Montgomery chronicles the octopus’ phenomenal strength, dexterity, speed... She also tells funny and moving stories about her friendships... Montgomery’s uniquely intimate portrait of the elusive octopus profoundly recalibrates our perception of consciousness, communication, and community."

  (Booklist (STARRED review))

“What makes this book unusual is that Montgomery doesn't try to answer this question [about consciousness] by sifting through piles of research. Instead, she ... listens. She develops extensive relationships with a handful of individual octopuses at the New England Aquarium, each with its own personality, its mundane dramas and tragedies. She records every small moment, treating each octopus like a character in a Jane Austen novel. The effect is wonderful. By the end, it's hard to shake the feeling that these bizarre creatures really do have rich internal lives, even if we still lack the imagination to grasp them entirely.“ (Vox)

“Montgomery’s journey of discovery encourages the reader to reflect on his or her own definition of consciousness and 'soul.' In the end, the book leaves one with the impression that our way of interacting with the world is not the only way or the most superior way and that sentience similarly comes in a variety of equally astounding forms, all worthy of recognition and compassion.” (Science Magazine)

“Montgomery’s journey of discovery encourages the reader to reflect on his or her own definition of consciousness and “soul.” In the end, the book leaves one with the impression that our way of interacting with the world is not the only way or the most superior way and that sentience similarly comes in a variety of equally astounding forms, all worthy of recognition and compassion.” (Shelf Awareness, Best Book of 2015 List)

A Notable Book of the Year (Huffington Post)

"The Soul of an Octopus is an astoundingly beautiful read in its entirety, at once scientifically illuminating and deeply poetic, and is indeed a worthy addition to the best science books of the year." (Science Friday, NPR)

"This miraculously insightful and enchanting book expands our understanding of consciousness and sheds light on the very notion of what we call a “soul.”…. The book’s greatest reward isn’t the fascinating science — although that is riveting and ablaze with rigor — but Montgomery’s bewitching prose, pouring from the soul of a literary naturalist who paints the marvels of the ocean’s depths like Thoreau did the marvels of the New England woods." (Brainpickings)

“Award-winning author Montgomery reveals [octopuses’] beauty. The book takes readers on a vivid tour of their complex inner world… explores their proclivities, their relationships and their intelligence and ultimately tries to deduce whether they possess consciousness… It is hard to come away from this book without a new appreciation for these wonderful creatures.” (Scientific American)

2016 Notable Book (American Library Association)

About the Author
Sy Montgomery is a naturalist, documentary scriptwriter, and author of twenty acclaimed books of nonfiction for adults and children, including the memoir The Good Good Pig, a New York Times bestseller. The recipient of numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association, she lives in New Hampshire with her husband, border collie, and flock of chickens.

Excerpt. © Reprinted by permission. All rights reserved.
The Soul of an Octopus  CHAPTER ONE  Athena Encountering the Mind of a Mollusk


On a rare, warm day in mid-March, when the snow was melting into mud in New Hampshire, I traveled to Boston, where everyone was strolling along the harbor or sitting on benches licking ice cream cones. But I quit the blessed sunlight for the moist, dim sanctuary of the New England Aquarium. I had a date with a giant Pacific octopus.

I knew little about octopuses—not even that the scientifically correct plural is not octopi, as I had always believed (it turns out you can’t put a Latin ending—i—on a word derived from Greek, such as octopus). But what I did know intrigued me. Here is an animal with venom like a snake, a beak like a parrot, and ink like an old-fashioned pen. It can weigh as much as a man and stretch as long as a car, yet it can pour its baggy, boneless body through an opening the size of an orange. It can change color and shape. It can taste with its skin. Most fascinating of all, I had read that octopuses are smart. This bore out what scant experience I had already had; like many who visit octopuses in public aquariums, I’ve often had the feeling that the octopus I was watching was watching me back, with an interest as keen as my own.

How could that be? It’s hard to find an animal more unlike a human than an octopus. Their bodies aren’t organized like ours. We go: head, body, limbs. They go: body, head, limbs. Their mouths are in their armpits—or, if you prefer to liken their arms to our lower, instead of upper, extremities, between their legs. They breathe water. Their appendages are covered with dexterous, grasping suckers, a structure for which no mammal has an equivalent.

And not only are octopuses on the opposite side of the great vertebral divide that separates the backboned creatures such as mammals, birds, reptiles, amphibians, and fish from everything else; they are classed within the invertebrates as mollusks, as are slugs and snails and clams, animals that are not particularly renowned for their intellect. Clams don’t even have brains.

More than half a billion years ago, the lineage that would lead to octopuses and the one leading to humans separated. Was it possible, I wondered, to reach another mind on the other side of that divide?

Octopuses represent the great mystery of the Other. They seem completely alien, and yet their world—the ocean—comprises far more of the Earth (70 percent of its surface area; more than 90 percent of its habitable space) than does land. Most animals on this planet live in the ocean. And most of them are invertebrates.

I wanted to meet the octopus. I wanted to touch an alternate reality. I wanted to explore a different kind of consciousness, if such a thing exists. What is it like to be an octopus? Is it anything like being a human? Is it even possible to know?

So when the aquarium’s director of public relations met me in the lobby and offered to introduce me to Athena, the octopus, I felt like a privileged visitor to another world. But what I began to discover that day was my own sweet blue planet—a world breathtakingly alien, startling, and wondrous; a place where, after half a century of life on this earth, much of it as a naturalist, I would at last feel fully at home.



Athena’s lead keeper isn’t in. My heart sinks; not just anyone can open up the octopus tank, and for good reason. A giant Pacific octopus—the largest of the world’s 250 or so octopus species—can easily overpower a person. Just one of a big male’s three-inch-diameter suckers can lift 30 pounds, and a giant Pacific octopus has 1,600 of them. An octopus bite can inject a neurotoxic venom as well as saliva that has the ability to dissolve flesh. Worst of all, an octopus can take the opportunity to escape from an open tank, and an escaped octopus is a big problem for both the octopus and the aquarium.

Happily, another aquarist, Scott Dowd, will help me. A big guy in his early forties with a silvery beard and twinkling blue eyes, Scott is the senior aquarist for the Freshwater Gallery, which is down the hall from Cold Marine, where Athena lives. Scott first came to the aquarium as a baby in diapers on its opening day, June 20, 1969, and basically never left. He knows almost every animal in the aquarium personally.

Athena is about two and a half years old and weighs roughly 40 pounds, Scott explains, as he lifts the heavy lid covering her tank. I mount the three short steps of a small movable stair and lean over to see. She stretches about five feet long. Her head—by “head,” I mean both the actual head and the mantle, or body, because that’s where we mammals expect an animal’s head to be—is about the size of a small watermelon. “Or at least a honeydew,” says Scott. “When she first came, it was the size of a grapefruit.” The giant Pacific octopus is one of the fastest-growing animals on the planet. Hatching from an egg the size of a grain of rice, one can grow both longer and heavier than a man in three years.

By the time Scott has propped open the tank cover, Athena has already oozed from the far corner of her 560-gallon tank to investigate us. Holding to the corner with two arms, she unfurls the others, her whole body red with excitement, and reaches to the surface. Her white suckers face up, like the palm of a person reaching out for a handshake.

“May I touch her?” I ask Scott.

“Sure,” he says. I take off my wristwatch, remove my scarf, roll up my sleeves, and plunge both arms elbow-deep into the shockingly cold 47°F water.

Twisting, gelatinous, her arms boil up from the water, reaching for mine. Instantly both my hands and forearms are engulfed by dozens of soft, questing suckers.

Not everyone would like this. The naturalist and explorer William Beebe found the touch of the octopus repulsive. “I have always a struggle before I can make my hands do their duty and seize a tentacle,” he confessed. Victor Hugo imagined such an event as an unmitigated horror leading to certain doom. “The spectre lies upon you; the tiger can only devour you; the devil-fish, horrible, sucks your life-blood away,” Hugo wrote in Toilers of the Sea. “The muscles swell, the fibres of the body are contorted, the skin cracks under the loathsome oppression, the blood spurts out and mingles horribly with the lymph of the monster, which clings to the victim with innumerable hideous mouths. . . .” Fear of the octopus lies deep in the human psyche. “No animal is more savage in causing the death of man in the water,” Pliny the Elder wrote in Naturalis Historia, circa AD 79, “for it struggles with him by coiling round him and it swallows him with sucker-cups and drags him asunder. . . .”

But Athena’s suction is gentle, though insistent. It pulls me like an alien’s kiss. Her melon-size head bobs to the surface, and her left eye—octopuses have a dominant eye, as people have dominant hands—swivels in its socket to meet mine. Her black pupil is a fat hyphen in a pearly globe. Its expression reminds me of the look in the eyes of paintings of Hindu gods and goddesses: serene, all-knowing, heavy with wisdom stretching back beyond time.

“She’s looking right at you,” Scott says.

As I hold her glittering gaze, I instinctively reach to touch her head. “As supple as leather, as tough as steel, as cold as night,” Hugo wrote of the octopus’s flesh; but to my surprise, her head is silky and softer than custard. Her skin is flecked with ruby and silver, a night sky reflected on the wine-dark sea. As I stroke her with my fingertips, her skin goes white beneath my touch. White is the color of a relaxed octopus; in cuttlefish, close relatives of octopus, females turn white when they encounter a fellow female, someone whom they need not fight or flee.

It is possible that Athena, in fact, knows I am female. Female octopuses, like female humans, possess estrogen; she could be tasting and recognizing mine. Octopuses can taste with their entire bodies, but this sense is most exquisitely developed in their suckers. Athena’s is an exceptionally intimate embrace. She is at once touching and tasting my skin, and possibly the muscle, bone, and blood beneath. Though we have only just met, Athena already knows me in a way no being has known me before.

And she seems as curious about me as I am about her. Slowly, she transfers her grip on me from the smaller, outer suckers at the tips of her arms to the larger, stronger ones nearer her head. I am now bent at a 90-degree angle, folded like a half-open book, as I stand on the little step stool. I realize what is happening: She is pulling me steadily into her tank.

How happily I would go with her, but alas, I would not fit. Her lair is beneath a rocky overhang, into which she can flow like water, but I cannot, constrained as I am by bones and joints. The water in her tank would come to chest height on me, if I were standing up; but the way she is pulling me, I would be upside down, headfirst in the water, and soon facing the limitations of my air-hungry lungs. I ask Scott if I should try to detach from her grip and he gently pulls us apart, her suckers making popping sounds like small plungers as my skin is released.



“Octopus?! Aren’t they monsters?” my friend Jody Simpson asked me in alarm, as we hiked with our dogs the next day. “Weren’t you scared?” Her question reflected less an ignorance of the natural world than a wide knowledge of Western culture.

A horror of giant octopuses and their kin, giant squid, has animated Western art forms from thirteenth-century Icelandic legends to twentieth-century American films. The massive “hafgufa” who “swallows men and ships and whales and everything it can reach” in the Old Icelandic saga Orvar-Odds is surely based on some kind of tentacled mollusk, and gave rise to the myth of the kraken. French sailors’ reports of giant octopuses attacking their ship off the coast of Angola inspired one of the most lasting images of octopus in modern memory, one that is still tattooed on sailors’ arms: Mollusk expert Pierre Denys de Montfort’s iconic pen-and-wash drawing of 1801 shows a giant octopus rising from the ocean, its arms twisting in great loops all the way to the top of a schooner’s three masts. He claimed the existence of at least two kinds of giant octopus, one of which, he concluded, was surely responsible for the disappearance of no fewer than ten British warships that mysteriously vanished one night in 1782. (To Montfort’s public embarrassment, a survivor later revealed that they were really lost in a hurricane.)

In 1830, Alfred Tennyson published a sonnet about a monstrous octopus whose “Unnumber’d and enormous polypi / Winnow with giant arms the slumbering green.” And of course an octopus was the nemesis-star of Jules Verne’s 1870 French science-fiction novel, Twenty Thousand Leagues Under the Sea. Though the octopus becomes a giant squid in the 1954 film of the same name, the man who shot the underwater sequences for the original film in 1916, John Williamson, said this about the novel’s original villain: “A man-eating shark, a giant poison-fanged moray, a murderous barracuda, appear harmless, innocent, friendly and even attractive when compared to the octopus. No words can adequately describe the sickening horror one feels when from some dark mysterious lair, the great lidless eyes of the octopus stare at one. . . . One’s very soul seems to shrink beneath their gaze, and cold perspiration beads the brow.”

Eager to defend the octopus against centuries of character assassination, I replied to my friend, “Monsters? Not at all!” Dictionary definitions of monster always mention the words large, ugly, and frightening. To me, Athena was as beautiful and benign as an angel. Even “large” is up for debate where octopuses are concerned. The largest species, the giant Pacific, isn’t as big as it used to be. An octopus with an arm span of more than 150 feet may have once existed. But the largest octopus listed by The Guinness Book of Records weighed 300 pounds and boasted an arm span stretching 32 feet. In 1945, a much heavier octopus captured off the coast of Santa Barbara, California, was reported to weigh 402 pounds; disappointingly, a photo of this animal displayed with a man for size comparison suggests a radial span of only 20 to 22 feet. But even these modern giants hardly measure up to their close molluscan relative, the colossal squid. A recent specimen of this species, captured by a New Zealand boat fishing off Antarctica, weighed more than 1,000 pounds and stretched more than 30 feet long. These days, lovers of monsters lament that the biggest octopuses seem to have been captured more than half a century ago.

As I described Athena’s grace, her gentleness, her apparent friendliness, Jody was skeptical. A huge, slimy cephalopod covered with suckers qualified as a monster in her book. “Well,” I conceded, changing tacks, “being a monster is not necessarily a bad thing.”

I’ve always harbored a fondness for monsters. Even as a child, I had rooted for Godzilla and King Kong instead of for the people trying to kill them. It had seemed to me that these monsters’ irritation was perfectly reasonable. Nobody likes to be awakened from slumber by a nuclear explosion, so it was no wonder to me Godzilla was crabby; as for King Kong, few men would blame him for his attraction to pretty Fay Wray. (Though her screaming would have eventually put off anyone less patient than a gorilla.)

If you took the monsters’ point of view, everything they did made perfect sense. The trick was learning to think like a monster.



After our embrace, Athena had floated back to her lair; I staggered down the three stairs of the step stool. I stood for a moment, almost dizzy, and caught my breath. The only word I could manage was “wow.”

“The way she presented her head to you was unusual,” said Scott. “I was surprised.” He told me that the last two octopuses who lived here, Truman and, before him, George, would only offer their arms to a visitor—not the head.

Athena’s behavior was particularly surprising given her personality. Truman and George were laid-back octopuses, but Athena had earned her name, that of the Greek goddess of war and strategy. She was a particularly feisty octopus: very active, and prone to excitement, which she showed by turning her skin bumpy and red.

Octopuses are highly individual. This is often reflected in the names keepers give them. At the Seattle Aquarium, one giant Pacific octopus was named Emily Dickinson because she was so shy that she spent her days hiding behind her tank’s backdrop; the public almost never saw her. Eventually she was released into Puget Sound, where she had originally been caught. Another was named Leisure Suit Larry—the minute a keeper peeled one of his questing arms off his or her body, two more would attach in its place. A third octopus earned the name Lucretia McEvil, because she constantly dismantled everything in her tank.

Octopuses realize that humans are individuals too. They like some people; they dislike others. And they behave differently toward those they know and trust. Though a bit leery of visitors, George had been relaxed and friendly with his keeper, senior aquarist Bill Murphy. Before I came, I had watched a video of the two of them together that the aquarium had posted on YouTube in 2007. George was floating at the top of the tank, gently tasting Bill with his suckers, as the tall, lanky aquarist bent down to pet and scratch him. “I consider him to be a friend,” Bill told the cameraman as he ran his fingers over George’s head, “because I’ve spent a lot of time interacting with him, taking care of him, and seeing him every day. Some people find them very creepy and slimy,” he said, “but I enjoy it a lot. In some ways they’re just like a dog. I actually pet his head or scratch his forehead. He loves it.”

It doesn’t take long for an octopus to figure out who his friends are. In one study, Seattle Aquarium biologist Roland Anderson exposed eight giant Pacific octopuses to two unfamiliar humans, dressed identically in blue aquarium uniforms. One person consistently fed a particular octopus, and another always touched it with a bristly stick. Within a week, at first sight of the people—looking up at them through the water, without even touching or tasting them—most of the octopuses moved toward the feeder and away from the irritator. Sometimes the octopus would aim its water-shooting funnel, the siphon near the side of the head with which an octopus jets through the sea, at the person who had touched it with the bristly stick.

Occasionally an octopus takes a dislike to a particular person. At the Seattle Aquarium, when one biologist would check on a normally friendly octopus each night, she would be greeted by a blast of painfully cold salt water shot from the funnel. The octopus hosed her and only her. Wild octopuses use their funnels not only for propulsion but also to repel things they don’t like, just as you might use a snowblower to clear a sidewalk. Possibly the octopus was irritated by the night biologist’s flashlight. One volunteer at the New England Aquarium always got this same treatment from Truman, who would shoot a soaking stream of salt water at her every time he saw her. Later, the volunteer left her position at the aquarium for college. Months later, she returned for a visit. Truman—who hadn’t squirted anyone in the meantime—instantly soaked her again.

The idea of octopuses with thoughts, feelings, and personalities disturbs some scientists and philosophers. Only recently have many researchers accorded even chimpanzees, so closely related to humans we can share blood transfusions, the dignity of a mind. The idea set forth by French philosopher René Descartes in 1637, that only people think (and therefore, only people exist in the moral universe—“Je pense, donc je suis”) is still so pervasive in modern science that even Jane Goodall, one of the most widely recognized scientists in the world, was too intimidated to publish some of her most intriguing observations of wild chimpanzees for twenty years. From her extensive studies at Gombe Stream Reserve in Tanzania, she had many times observed wild chimpanzees purposely deceiving one another, for example stifling a food cry to keep others from discovering some fruit. Her long delay in writing of it stemmed from a fear that other scientists would accuse her of anthropomorphizing—projecting “human” feelings onto—her study subjects, a cardinal sin in animal science. I have spoken with other researchers at Gombe who still haven’t published some of their findings from the 1970s, fearing their scientific colleagues would never believe them.

“There’s always an effort to minimize emotion and intelligence in other species,” the New England Aquarium’s director of public relations, Tony LaCasse, said after I met Athena. “The prejudice is particularly strong against fish and invertebrates,” agreed Scott. We followed the ramp that spirals around the Giant Ocean Tank, affectionately known as the GOT, the three-story, 200,000-gallon re-creation of a Caribbean reef community that is the central pillar of the aquarium. Sharks, rays, turtles, and schools of tropical fish floated by like daydreams as we broke the scientific taboo and spoke of minds that many deny exist.

Scott remembered an octopus whose sneaky depredations rivaled those of Goodall’s deceitful chimps. “There was a tank of special flounder about fifteen feet away from the octopus tank,” he said. The fish were part of a study. But to the researchers’ dismay, the flounder started disappearing, one by one. One day they caught the culprit red-handed. The octopus had been slipping out of her tank and eating the flounder! When the octopus was discovered, Scott said, “she gave a guilty, sideways look and slithered away.”

Tony told me about Bimini, a large female nurse shark who once lived in the Giant Ocean Tank. One day the shark attacked one of the spotted eels in the tank and was swimming around with her victim’s tail protruding from her mouth. “One of the divers who knew Bimini well wagged his finger at her, and then bopped her on the nose,” Tony told me. In response, Bimini instantly regurgitated the eel. (Though the eel was whisked to the on-site veterinarian for emergency treatment, he unfortunately could not be saved.)

Once a similar thing had happened with our border collie, Sally. She had come upon a dead deer in the woods and was feeding on it. When I growled, “Drop it!” she actually vomited it up for me. I had always been proud of her obedience. But a shark?

The sharks don’t eat all the fish in the tank, because they’re well fed. “But sometimes they will eat or injure other animals for other reasons besides hunger,” Scott told me. One day, a group of permits—long, thin, shiny fish whose dorsal fins are shaped like scythes—were thrashing around near the surface of the Giant Ocean Tank. “They were making a lot of noise and commotion,” Tony said. One of the sand tiger sharks shot to the surface to attack the fish, biting their fins—but not killing or eating them. Apparently, the shark was just irritated. “This was a dominance bite, not a predator bite,” Tony said.

To many, we spoke heresy. Skeptics are right to point out that it’s easy to misunderstand animals, even those most like ourselves. Years ago, when I was visiting Birute Galdikas’s research camp in Borneo, where ex-captive orangutans were learning to live in the wild, a new American volunteer, smitten with the shaggy orange apes, rushed up to an adult female to give her a hug. The female picked up the volunteer and slammed her against the ground. The woman didn’t realize that the orangutan didn’t feel like being grabbed by a stranger.

It’s alluring to assume that animals feel as we do, especially when we want them to like us. A friend who works with elephants told me of a woman who called herself an animal communicator, who was visiting an aggressive elephant at a zoo. After her telepathic conversation with the elephant, the communicator told the keeper, “Oh, that elephant really likes me. He wants to put his head in my lap.” What was most interesting about this interaction was the part the communicator may have gotten right: Elephants do sometimes put their heads in the laps of people. They do this to kill them. They crush people with their foreheads like you would grind out a cigarette butt with your shoe.

The early-twentieth-century Austrian-British philosopher Ludwig Wittgenstein once famously wrote, “If a lion could talk, we couldn’t understand him.” With an octopus, the opportunity for misunderstanding is greatly magnified. A lion is a mammal like us; an octopus is put together completely differently, with three hearts, a brain that wraps around its throat, and a covering of slime instead of hair. Even their blood is a different color from ours; it’s blue, because copper, not iron, carries its oxygen.

In his classic The Outermost House, American naturalist Henry Beston writes that animals “are not brethren, they are not underlings” but beings “gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear.” They are, he writes, “other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.” To many people, an octopus is not just another nation; it’s an alien from a distant and menacing galaxy.

But to me, Athena was more than an octopus. She was an individual—who I liked very much—and also, possibly, a portal. She was leading me to a new way of thinking about thinking, of imagining what other minds might be like. And she was enticing me to explore, in a way I never had before, my own planet—a world of mostly water, which I hardly knew.



Back at home, I tried to replay my interaction with Athena in my mind. It was difficult. There was so much of her, everywhere. I could not keep track of her gelatinous body and its eight floaty, rubbery arms. I could not keep track of her continually changing color, shape, or texture. One moment, she’d be bright red and bumpy, and the next, she’d be smoother and veined with dark brown or white. Patches on different parts of her body would change color so fast—in less than a second—that by the time I registered the last change, she would be on to another. To borrow a phrase from songwriter John Denver, she filled up my senses.

Unconstrained by joints, her arms were constantly questing, coiling, stretching, reaching, unfurling, all in different directions at once. Each arm seemed like a separate creature, with a mind of its own. In fact, this is almost literally true. Three fifths of octopuses’ neurons are not in the brain but in the arms. If an arm is severed from an octopus’s body, the arm will often carry on as if nothing has happened for several hours. One presumes the severed arm might continue hunting and perhaps even catching prey—only to pass it back toward a mouth to which the arm is, sadly, no longer attached.

Just one of Athena’s suckers was enough to seize my complete concentration—and she had 1,600 of them. Each was busily multitasking: sucking, tasting, grabbing, holding, plucking, releasing. Each arm on a giant Pacific octopus has two rows of suckers, the smallest at the tips, the largest (three inches across on a big male, perhaps two on Athena) about a third of the way to the mouth. Each sucker has two chambers. The outer one is shaped like a broad suction cup, with hundreds of fine radial ridges stretching to the rim. The inner chamber is a little hole in the center of the sucker, which creates the suction force. The whole structure can bend to fit the contours of whatever the sucker is grasping. Each sucker can even fold to create a pincer grip, like your thumb and forefinger can. Each is operated by individual nerves that the octopus controls voluntarily and independently. And each sucker is fantastically strong. James Wood, webmaster of the long-running biological website The Cephalopod Page, has calculated that a 2.5-inch-diameter sucker can lift 35 pounds of weight. If all the suckers were that size, the octopus would have a sucking capacity of 56,000 pounds. Another scientist calculated that to break the hold of the much smaller common octopus would demand a quarter ton of force. “Divers,” Wood said, “should be very careful.”

Athena’s suction had been tender with my skin. Since I was not afraid, I had not resisted her pull. This was fortunate, I learned when I later spoke with her keeper, Bill, on the phone, setting up my next visit.

“A lot of people are freaked out by them,” he told me. “When visitors come, we always have someone there to help in case the person freaks out. Keeping the octopus in the tank is the main goal. We can’t guarantee what they’ll do. With Athena, I’ve had four of her arms on me, and you peel them off and then the other four arms are on.”

“I think we’ve all been on dates like that,” I observed.

While Athena was tasting my arms and hands, she had made a point of looking into my face. I was impressed that she even recognized a face so unlike her own, and wondered whether Athena might like to taste my face as well as look at it. I asked Bill if that was ever allowed. “No,” he said emphatically, “we don’t let them near the face.” Why? Could she pull out an eye? “Yes,” Bill said, “she could.” Bill has gotten into futile tugs-of-war with octopuses who have grabbed the handles of cleaning brushes. “The octopus always wins. You have to know what you’re doing,” he said. “You cannot let her go near your face.”

“I felt as if she wanted to pull me into the tank,” I told him.

“She could pull you into the tank, yes,” he said. “She will try.”

I was eager to give her another chance. We set a date for a Tuesday, when both Bill and his most experienced octopus volunteer, Wilson Menashi, would be there. Scott, and now Bill, told me the same thing about Wilson: “He has a real way with octopuses.”

Wilson is a former engineer and inventor with the Arthur D. Little Corp. with many patents to his name. Among his other accomplishments is having brought cubic zirconia to market as an imitation diamond. (It had been artificially produced by the French, but they didn’t know what to do with it.) At the aquarium, Wilson had been tasked with an important mission: designing interesting toys to keep the intelligent octopus occupied. “If they have nothing to do, they become bored,” Bill explained. And boring your octopus is not only cruel; it’s a hazard. I knew from living with two border collies and a 750-pound pet pig that to allow a smart animal to become bored is to court disaster. They will invariably come up with something creative to do with their time that you don’t want them to do, as the Seattle Aquarium had discovered with Lucretia McEvil. In Santa Monica, a small California two-spot octopus, only perhaps eight inches long, managed to flood the aquarium’s offices with hundreds of gallons of water by experimenting with a valve in her tank, causing thousands of dollars’ worth of damage by ruining the brand-new, ecologically designed floors.

Another danger of boredom is that your octopus may try to go someplace more interesting. They are Houdini-like in their ability to escape their enclosures. L. R. Brightwell of the Marine Biological Station in Plymouth, UK, once encountered an octopus crawling down the stairs at two thirty in the morning. It had escaped from its tank in the station’s laboratory. While on a trawler in the English Channel, an octopus who had been caught and left on deck somehow managed to slither from the deck, down the companionway, to the cabin. Hours later, it was found hiding in a teapot. Another octopus, held in a small private aquarium in Bermuda, pushed off the lid from its tank, slid to the floor, crawled off a veranda, and headed home to the sea. The animal had traveled about 100 feet before it collapsed on the lawn, where it was attacked by a horde of ants and died.

Perhaps an even more surprising case was reported in June 2012, when a security officer at California’s Monterey Bay Aquarium found a banana peel on the floor in front of the Shale Reef exhibit at 3 a.m. On closer inspection, the banana peel turned out to be a healthy, fist-size red octopus. The security officer followed the wet slime trail and replaced the octopus in the exhibit it had come from. But here’s the shocking part: The aquarium didn’t know it had a red octopus living in its Shale Reef exhibit. Apparently the octopus hitchhiked there as a juvenile, attached to a rock or sponge added to the exhibit, and grew up at the aquarium without anyone knowing it was there.

To avert disaster, aquarium staff carefully design escape-proof lids to their octopus tanks and try to invent ways to keep their octopuses occupied. In 2007, the Cleveland Metroparks Zoo put together an enrichment handbook for octopus, filled with ideas of how to keep these smart creatures entertained. Some aquariums hide food inside a Mr. Potato Head and let the octopus dismantle the toy. Others offer Legos. Oregon State University’s Hatfield Marine Science Center has devised a contraption that allows an octopus to create art by moving levers that release paint onto a canvas—which is then auctioned to generate funds to maintain the octopus tank.

At the Seattle Aquarium, Sammy the giant Pacific octopus enjoyed playing with a baseball-size plastic ball that could be screwed together by twisting the two halves. A staffer put food inside the ball but later was surprised to find that not only had the octopus opened the ball, it had screwed it back together when it was done. Another toy was constructed from the plastic tubing through which pet gerbils like to tunnel. Rather than probe into the tunnel with his arms, which was what the aquarists had expected, Sammy liked to unscrew the pieces—and when he was done, he handed them off to his tank mate, an anemone. The anemone, who, like all of its kind, was brainless, held on to the pieces with its tentacles for a while, bringing them to its mouth, and finally spat them out.

But Wilson was ahead of the curve. Long before the first octopus-enrichment handbook was published, many octopuses ago, he set out to create a safe toy worthy of an octopus’s intellect.

Working at his lab at Arthur D. Little Corp., Wilson devised a series of three clear Plexiglas cubes with different locks. The smallest of the three has a sliding latch that twists to lock down, like the bolt on a horse’s stall. You can put a live crab—a favorite food—inside and leave the lid unlocked. The octopus will lift the lid. When you lock the lid, invariably the octopus will figure out how to open it. Then it’s time to deploy the second cube. This one has a latch that slides counterclockwise to catch on a bracket. You put the crab in the first box and then lock it inside the second box. The octopus will figure it out. And finally, there’s a third cube. This one has two different latches: a bolt that slides into position to lock down, and a second one with a lever arm, sealing the lid much like an old-fashioned canning jar closes. Bill told me that once the octopus “gets it,” the animal can open all four locks in three or four minutes.

I was looking forward to meeting Bill and Wilson, and was hungry to hear what they had to tell me. But even more, I longed to see Athena again and to learn how she behaved among people she knew. And I wondered: Would she recognize me?



Bill meets me in the aquarium lobby. He’s thirty-two years old, six foot five, slender, and strong, with short brown hair and a smile that takes over his whole face, crinkling the edges of his eyes. Tentacles creep down from under the right sleeve of his green aquarium shirt—the tattoo of a Portuguese man-of-war, a stinging jellyfish, with an azure sail. We walk up the staircase to the aquarium café, and then take the Employees Only stairway to the Cold Marine Gallery, which Bill runs. He’s in charge of 15,000 animals here, from invertebrates like Athena and the sea stars and anemones, to giant lobsters and endangered turtles and the strange, ancient chimera, or ghost shark—a deepwater species with grinding, instead of sharp, teeth, whose cartilaginous kind branched off from the shark lineage 400 million years ago. Bill knows each of his charges personally; he has known many of them since they were born (or hatched, or budded) under his care; many others, he collected on expeditions to the chilly waters of Maine and the Pacific Northwest.

Wilson is already here. He’s a much smaller man than Bill, trim and quiet, with a dark moustache, the hairline of a grandfather of nearly grown grandchildren, and a Middle Eastern accent I can’t quite place. He looks much younger than his seventy-eight years.

It’s nearly 11 a.m., Athena’s feeding time. A dish of silvery, five-inch capelin awaits her, sitting on the lid of an adjoining tank. We don’t want to keep her waiting.

The men heave the heavy tank top up and attach it to an overhead hook to keep it propped open. The lid is covered in fine mesh and precisely contoured to fit the elaborate curves of the tank’s outlines, a precaution perfected over the course of many octopuses, to prevent escape. Bill leaves me with Wilson to attend to other chores in his gallery. Wilson mounts the short movable stair and leans over the tank.

Athena rises up from her lair like steam from a pot. She’s coming to Wilson so quickly it takes my breath away—much faster than she had come to see me earlier.

“She knows me,” Wilson states simply. He reaches into the cold water to greet her.

Athena’s white suckers arch from the water to grasp Wilson’s hands and forearms. She looks at him with her silvery eye, then surprises me: She flips over, like a puppy showing its belly. Wilson hands a fish to the center suckers on one of her front arms. The food heads toward her mouth like on a conveyor belt as she passes it from sucker to sucker. I’m eager to see inside her mouth, glimpse her beak. But I am disappointed. The fish disappears like the stairs at the end of an escalator. Wilson says he’s never known an octopus to show its beak.

Only now do I notice that a large orange sunflower sea star is moving toward Wilson’s hand. With more than twenty limbs, called “rays,” befitting a star, and an arm span of more than two feet, it’s edging toward us on 15,000 tube feet. Like all sea stars, this largest of all the species has no eyes, no face, and no brain. (As an embryo, the sea star starts to grow one, but apparently thinks better of it and instead forms a neural net around the mouth.)

“He wants a fish too,” Wilson says. (This sea star is, in fact, male, as became evident when he released his sperm one day, clouding the tank.) Wilson hands him a capelin with the same easy motion with which one might pass the butter dish to a guest at the dinner table.

How can a brainless animal “want” anything—much less communicate its desires to another species? Perhaps Athena knows. To her, the sea star may be a distinct individual, a neighbor whose habits and quirks she recognizes and anticipates. At the Hatfield Marine Science Center’s Visitor Center, when the octopus was done playing with Mr. Potato Head, the sea star would take the eyes and carry them around between two of his arms. (“He looked really cute,” Kristen Simmons, who invented the painting apparatus for the octopus, told me.) She described their sea star as “inquisitive” and told me that whenever the octopus gets a new toy, the sea star “tries to take it away from him—which I find amazing.” If a staffer moved a toy away from this sea star, the animal would hurry to retrieve it.

I wonder: Can a brainless animal feel curiosity? Does it want to play? Or does it only “want” toys or food the way a plant “wants” the sun? Does a sea star experience consciousness? If it does, what does consciousness feel like to a sea star?

Clearly, I have entered a world I cannot judge by the rules I have learned on land among vertebrates. The sea star begins to dissolve the fish before our eyes, the capelin melting away as though viewed via time-lapse photography. The sea star can extrude its stomach outside the mouth to digest prey, which is usually sea urchins, snails, sea cucumbers, and other sea stars.

The sea star sated, Wilson turns back to Athena and feeds her the rest of the fish. He hands her one fish after another, three more in all. He deposits each in the suckers of a different arm. I watch in astonishment as the octopus conveys each fish along her suckers, toward her mouth. It seems to take a long time before each fish reaches its destination. Why doesn’t she just flex the arm and place the fish directly in her mouth? Then it occurs to me: Perhaps it’s for the same reason we lick an ice cream cone instead of shoving it past the tongue down the throat. Taste is pleasurable, and it’s pleasurable because it’s useful: this is how we know what is good and safe to eat and what is inedible. An octopus does the same with its suckers.

Once Athena finishes eating her fish, she plays gently with Wilson’s hands and forearms. Occasionally the tendril-like tip of an arm curls up to his elbow, but almost lazily; mostly her arms twist weightlessly in the water, her suckers gently kissing his skin. With me, before, her suction had felt exploratory, insistent. But with Wilson she is completely relaxed. As I look at the man and the octopus touching each other, they remind me of a happy older couple, many years into a loving marriage, tenderly holding hands.

I put my hands in the water with Wilson’s and touch one of Athena’s unoccupied arms. I slowly stroke some of her suckers. They fold to fit the contours of my skin and latch on. I can’t tell if she recognizes me. Though I am sure she can taste I am a different person, Athena seems to consider me a part of Wilson, the way a person might behave toward a companion that a trusted friend has brought along. Athena latches onto my skin slowly, languidly, the same way she did greeting Wilson. I lean over to glimpse her pearly eye, and she pulls her head to the surface to look me in the face.

“She has eyelids like a person does,” says Wilson. He gently passes his hand over her eyes, causing her to slowly wink. She doesn’t recoil or move away. The fish are gone; she is staying near the surface for the company.

“She’s a very gentle octopus,” Wilson says, almost dreamily, “very gentle. . . .”

Has working with octopuses made him gentler or more compassionate? Wilson pauses. “I don’t have the language to answer that question,” he says. Wilson was born along the Caspian Sea, in Iran, near Russia, and spoke Arabic before he learned English as a small child because his parents were from Iraq. He doesn’t mean that he lacks the English skills to answer. He means that he hasn’t thought of this before. “I’ve always liked toddlers and kids,” he says. “I can relate to them. This is . . . similar.”

As with a child, to commune with Athena demands a level of openness and intuition greater than that used in the usual discourse between adult humans of a common culture. But Wilson doesn’t equate this strong, smart, wild-caught adult octopus to a baby human—unfinished, incomplete, not quite fully developed. Athena is, in the words of the late, great Canadian storyteller Farley Mowat, “more-than-human,” a being who doesn’t need us to bring her to completion. The wonder is that she will allow us to be part of her world.

“Don’t you feel honored?” I ask Wilson.

“Yes,” he says emphatically. “Yes.”

Bill, rejoining us from his errands, leans his tall frame over the tank and reaches in to stroke Athena’s head.

“It’s a rare pleasure,” Bill says. “Not everyone can do this.”



How long did we stay with Athena? It’s impossible to say. Of course, we had removed our watches before plunging our arms into the water. Once we did, we entered what we called Octopus Time. Feelings of awe are known to expand the human experience of time availability. So does “flow,” the state of being fully immersed in focus, involvement, and enjoyment. Meditation and prayer, too, alter time perception.

And there is another way we alter our experience of time. We as well as other animals can mimic another’s emotional state. This involves mirror neurons—a type of brain cell that responds equally whether we’re watching another perform an action, or whether we’re performing that action ourselves. If you are with, for example, a calm, deliberate person, your own perception of time may begin to match his. Perhaps, as we stroked her in the water, we entered into Athena’s experience of time—liquid, slippery, and ancient, flowing at a different pace than any clock. I could stay here forever, filling my senses with Athena’s strangeness and beauty, talking with my new friends.

Except our hands froze—so red and stiff that we could not move our fingers. Taking our hands out of Athena’s tank felt like breaking a spell. I was suddenly desperately uncomfortable, awkward, and incompetent. Even after rinsing my red skin with hot water for nearly a minute, I was so cold I still couldn’t pick up the pen in my purse, much less write in my notebook. It was as if I had trouble returning to the person, the writer, I was before.



“Guinevere was my first,” Bill tells us, “so she’s my favorite.” Bill, Scott, Wilson, and I have gone to a nearby sushi place for lunch. I think it an odd choice, but perhaps not; we have just been watching Athena eat raw fish, after all. No one orders octopus. I get California rolls.

“The first two minutes you interacted with her, Guinevere was all over you,” Bill continued. But then she’d calm down, staying close by and exploring Bill’s arms gently with her suckers.

Guinevere was also the first and only octopus who ever bit Bill. She didn’t envenomate him, and the bite didn’t leave a scar. Still, he admitted, “I don’t want it to happen again.” It was like a bite from a parrot, he said. A parrot can exert 600 pounds of pressure per square inch with its beak, so this was not a small thing, but Bill shrugged it off. As if to clear Guinevere’s reputation, he added, “It was not a huge bite.”

It had happened early in their relationship. And besides, he added gallantly, it had been his fault. He had let his hand get too close to her mouth. “She was curious: ‘Can I eat you?’ ”

The guys tell me about the other octopuses they’ve known.

“George was really good,” Bill said. “He was pretty calm. He was a pretty good octopus—not feisty. The feisty ones are the ones that the first ten minutes you spend pulling arms off you. They’re constantly grabbing at you. George would come over, crawl on your arm, eat, then move on. Sometimes we’d hang out for an hour together.

“George died while I was on vacation,” he continued. Octopuses live fast and die young: Giant Pacific octopuses are probably among the longest-lived of the species, and they usually live only about three or four years. And by the time they arrive at the aquarium, they are usually at least a year old, sometimes more. “I had no idea George was about to die,” Bill said. “Usually they change in body and behavior and coloration. They don’t stay as red. They’re whitish all the time. The intensity isn’t there. They’re less playful. It’s like old age in people. Sometimes they get age spots, white patches on their skin that seem to be sloughing off.”

“That must be so hard,” I said to Bill. He shrugged. This is, after all, part of the job. But on my first visit, Scott had said, about Bill and his octopuses: “They’re like his babies. When one passes away, it’s a loss. That’s an animal he’s loved and cared about every day for years.”

George’s successor, Truman, arrived while Bill was away. “He was one of the most active octopuses from the start. Truman,” he said, “was an opportunist.”

Different octopuses had different approaches to opening Wilson’s boxes. Each learned fairly quickly how to open the locks. Bill would start with the smallest box and present it to the octopus once a week for about a month. At two months they’d try the second box. They mastered it in two to three weekly tries. The third box, with its two different locks, might take five or six tries. But even though everyone mastered the locks, on occasion each octopus, depending on personality, might employ a different strategy.

Calm George always opened the locks methodically. But Guinevere was impetuous. One day, the live crab inside so excited her that she squeezed the second-largest box hard enough to crack it. Later, when Truman was introduced to the boxes, he seemed to enjoy opening them. But one day Bill gave him a special treat, putting two live crabs inside the smallest box. When the two crabs started fighting, Truman became too excited to bother with the locks. He poured his seven-foot-long body through the two-by-six-inch crack Guinevere had made. Visitors to his exhibit found the giant octopus, suckers flattened and facing out, squeezed into the tiny space between the walls of the fourteen-cubic-inch middle box and the six-cubic-inch one inside it. Truman never did open the small box. Probably he was too cramped. But when he finally emerged from his cube, Bill fed him both crabs anyway.

Because octopuses can squeeze into such small spaces, aquarists have had some frightening moments. George scared Bill nearly to death one day, when he’d hidden underneath a big rock, and Bill couldn’t find him even after a long, frantic search. “I thought he’d escaped,” Bill said.

“Any hole, they’re going to go right through it,” Wilson agreed.

More than a decade earlier, Scott had known a dwarf Caribbean octopus who lived in one of the smaller display tanks known as jewel cases at the aquarium. One day Scott came in to work to find the tank overflowing onto the floor, and the octopus nowhere in sight. He found that the animal had oozed behind the background of its exhibit and wedged itself into the half-inch-diameter pipe that recirculated the water. What to do?

“I remembered having watched this National Geographic show as a kid,” he said. It had showed fishermen in Greece pulling up amphora pots they had set for octopuses. After hunting all night, the octopuses thought they had found safe dens there, only to be hauled up by fishermen who wanted to eat them. Naturally they didn’t want to come out of the pots, and the fishermen didn’t want to break their vessels, so they had poured fresh water into the pots, and the octopuses came rushing out. So Scott did the same with the dwarf Caribbean octopus—and it worked.

He employed the same method years later with a misbehaving giant Pacific, so long ago Scott doesn’t remember the octopus’s name, but he vividly recalls the incident. When Scott lifted the lid to the tank to feed the animal, the octopus attached to his hands and arms. When he’d peel one arm off, he’d find two more stuck to him. “The octopus wouldn’t go back inside the tank, and I had to move on,” he said. “I had things to do.” So he reached to the sink across from the tank, filled a pitcher with fresh water, and poured it on the octopus. She instantly recoiled. “I’m thinking: I outwitted the octopus!” he said. Scott was rather proud of himself.

But the octopus was incensed. “She got scarlet red and really thorny. It was a heated moment. What I didn’t notice,” he said, “was she was blowing herself up.” She siphoned up a massive load of water “and gushed a major surge of salt water onto my face!” As he stood there dripping, Scott noticed “the octopus had the same look on her face as I must have had on mine when I thought I’d outwitted her.”



A few weeks later, I visited Athena for a third time. Bill and Wilson were both absent, so Scott opened the top of her tank for me. Athena had been resting in her usual lair, in a corner under a rock overhang, but she floated quickly to the top and hung before me, upside down.

I was disappointed at first that she didn’t present her head or look at me. Was she less curious about me now? Had she glimpsed me coyly, like a woman behind a veil, peeking over the webbing between her arms, when I hadn’t noticed? Did she rely on her suckers to tell her, even before she had touched me, who I was? If she did recognize me, though, why did she not approach me in the same way as before? Why was she hanging before me like an opened umbrella, upside down?

And then I realized what she wanted. She was asking me for food.

Scott asked around, and learned that Athena, who doesn’t need to eat daily, hadn’t been fed for a couple of days. And then he allowed me the privilege of handing her a capelin. I handed a fish to one of her large suckers. Athena began to convey the fish toward her mouth. But first she covered it with two of her other arms, enveloping it with many more suckers, as if she were licking her fingers, savoring the meal.

Once she had eaten, I reached deeper into the water. Now she let me pet her. As I stroked her head and mantle, I marveled again at her softness and texture: Her skin had gathered into little bumps and ridges. I reached for the webbing between her arms, which was as delicate as gossamer, and so thin I could see bubbles beneath it, as sometimes happens with a swimsuit. And yet, this body, so unlike my own, was responding to my touch like a dog’s or a cat’s or a child’s. Even though her skin can change color and taste flavors, it, like mine, relaxes into a caress. And though her mouth is between her arms, and her saliva dissolves flesh, she, like me, clearly enjoys a good meal when she’s hungry. I felt as if I had understood something very basic about her at that moment. I don’t know what it’s like to change color or shoot ink, but I do know the joys of gentle touch and of eating food when hungry. I know what it feels like to be happy. Athena was happy.

I was too. As I drove home to New Hampshire, my happiness swelled to elation. Now that I have fed her, I thought, surely she will remember me next time, if she doesn’t already.



A week later, I was shocked to receive this e-mail from Scott:

“Sorry to write with some sad news. Athena appears to be in her final days, or even hours.” Less than an hour later he wrote again that she was gone.

To my surprise, I broke down in tears.

Why such sorrow? I don’t cry often. I would have been sad, but probably would not have wept, over a person I had met only thrice, with whom I had spent, in total, less than two hours. I had no idea whether I meant anything at all to Athena, and even if I had, it was surely little. I was not, like Wilson and Bill, Athena’s special friend. But she meant a great deal to me. She was, like Bill’s Guinevere, “my first.” We had hardly known each other, but she had given me a glimpse into a kind of mind I had never known before.

And that was part of the tragedy: I had just started to know her. I was mourning the relationship that could have blossomed but didn’t have a chance to grow.

“What is it like to be a bat?” the American philosopher Thomas Nagel famously asked in his 1974 essay on the subjective nature of consciousness. Many philosophers might argue that to be a bat is not “like” anything—for, according to some, animals do not experience consciousness. A sense of self is an important component of consciousness, one that a number of philosophers and researchers claim humans have but animals don’t. If animals were conscious, according to one book, written by a Tufts University professor, dogs would untangle their leashes from poles and dolphins would leap out of tuna nets. (That author clearly doesn’t read Dear Abby. Why don’t those women leave their abusive husbands? Why won’t that couple just stop visiting the rude in-laws?)

Nagel concluded, like Wittgenstein before him, that it is impossible to know what it is like to be a bat. After all, a bat sees much of its world using echolocation, a sense we do not possess and can hardly imagine. How much further from our reach is the mind of an octopus?

Yet still I wondered: What is it like to be an octopus?

Isn’t this what we want to know about those whom we care about? What is it like, we wonder at each meeting, in shared meals and secrets and silences, with each touch and glance, to be you?

“There is a young pup octopus headed to Boston from the Pacific Northwest,” Scott wrote me days after Athena had died. “Come shake hands (x8) when you can.”

At Scott’s invitation, I set out to cross a chasm of half a billion years of evolution. I set out to make an octopus my friend.

Most helpful customer reviews

169 of 179 people found the following review helpful.
Capturing soulful wild creatures and confining them for months in pickle barrels is ok?
By Earth lover
I was certain I would love this book having encountered many octopuses while diving, and firmly being in the camp that they, like other living creatures, are sentient souls. We cannot know specifically what they are thinking but lets give them credit for having thoughts and capacity for something more than simple reaction to physical stimuli. I was eager to learn more about this.

The book gets two stars because I did read it in its entirety - an easy enough read - and enjoyed the occasional information tidbits; furthermore if this treatment of the topic persuades anyone out there to think anew about such creatures, then despite shortcomings, there is some value to it.

However, I give it no more than two stars for two reasons:
1. This was pretty thin gruel, as others have said, with respect to any new or particularly insightful information about octopus behaviors or relationships or what we might deduce about octopus intellect or emotional life from closely and rigorously observing these things. This more is a story about the author's many visits 'behind the scenes' to a series of captured aquarium octopuses, and about the aquarium staff associated with that activity. The main gist about 'soulfulness' is drawn from how these confined creatures responded to the author, and others, in ways that she interpreted to be friendship. Perhaps so, perhaps not - she offers little to support this beyond the sensation of suckers winding up her arms, and what may have just as likely been the animals' desperate attempts to find relief from such close boring confines.

2. That leads to the second reason for only two stars. If as seems the case that the author and aquarium staff care so deeply for these creatures, how can they then reconcile confining - alone - in a small dark boring pickle barrel for months at a time, animals captured in young and mid-life from their wild free oceanic homes. It might just be that these octopuses rise up in their barrel prison and taste those protruding arms with their suckers because there is NOTHING ELSE TO DO other than dying of depression. This confinement seems cruel beyond imagining...indeed one of the captured octopuses does die trying to escape, and others chomp at the restraints in similar attempts. It seems we've come to some consensus that this is not the way to treat primates, why then should it be ok for marine creatures which are being highlighted in this very same book as smart, soulful, and sentient. Does not add up.

One can reasonably argue the value, plusses and minuses of zoos and aquarium in general, but capturing and tightly confining smart, free, wild animals for eventual display - and losing some in this process as the price of doing business - does have implications that are an inherent yet all but unacknowledged under-theme of this book. This created a wrinkle that this reader at least just could not overcome.

For a more cogent treatment of this topic, I recommend Carl Safina's 'Beyond Words, What Animals Think and Feel' or watch his excellent recent TED talk on the same topic.

141 of 151 people found the following review helpful.
Fascinating
By Shelleyrae
I would probably not have given this book a second glance except that just days before it was offered to me for review I had read Turtle Reef, an Australian contemporary romance novel, in which the heroine, working at a marine park, befriended an octopus. I was intrigued by the relationship and was delighted by the opportunity to learn more.

The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness, is written by Sy Montgomery, an author, naturalist, documentary scriptwriter, and radio commentator. It offers a very readable and rather unique blend of personal experience, scientific knowledge and philosophical opinion about what is understood, and unknown, about the nature of octopuses.

I knew little about octopuses—not even that the scientifically correct plural is not octopi, as I had always believed (it turns out you can’t put a Latin ending—i—on a word derived from Greek, such as octopus). But what I did know intrigued me. Here is an animal with venom like a snake, a beak like a parrot, and ink like an old-fashioned pen. It can weigh as much as a man and stretch as long as a car, yet it can pour its baggy, boneless body through an opening the size of an orange. It can change color and shape. It can taste with its skin. Most fascinating of all, I had read that octopuses are smart."

What Montogomery is able to show in The Soul of an Octopus is that octopuses are complex creatures who exhibit personality, intelligence and emotion, despite having neural systems completely alien to our own. During her time spent at the New England Aquarium she befriended several individual octopuses including Athena, who was the subject of a popular 2011 Orion magazine piece, "Deep Intellect" which went viral and was the inspiration for this book, Octavia, Kali and Karma. Through her study of, and interaction with, these extraordinary creatures she shares what she learns from both science and her experiences, while musing on the mystery of the 'inner lives' of the octopus, who grow from the size of a grain of rice and live for, on average, just four short years.

The Soul of an Octopus is as smart, playful, curious and surprising as the creature it features. A fascinating read I'd highly recommend.

69 of 77 people found the following review helpful.
The Amazing Incredible Octopus
By YodaMom
When I started this I expected a scientific journal watered down for the non scientific reader. I did not expect it to be a personal journal with some scientific facts thrown in. I was looking for more science, more facts then offered. I was a bit miffed at the personal moments, her diving lessons, her ear troubles, relationships of companions. I wanted more information on the octopus and it's fascinating life. Fascinating they are, and there is so much more that we still are far from understanding.
I did gain a new appreciation for the octopus. I was amazed by the interactions between the various beings and humans. They are so much more than taught in school. They are complex living creatures with different personalities, moods and fears. Understanding their types of communications comes from a lot of time spent interacting with them. They have gifts that we do not, which makes it hard for us to relate to them. That does not mean that they are brainless, unfeeling beings without conscious thoughts. The octopus has amazing abilities, their brain can have as many as 75 lobes compared to the human 4. It can see in panoramic views. There is new evidence that they may be able to see with their skin to get the perfect camouflage. This is just a small bit of their abilities, they are truly amazing.
There is some information on other species in the sea. Some fascinating facts and tidbits to wow you with the gifts of the sea.
I really enjoyed the book even with the slow journal sections that just didn't interest this reader. I did enjoy her focus of the emotional connections she saw. I may go find her Pig book and give it a go.

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Rabu, 23 Maret 2011

[L575.Ebook] Download Black Cat Crossing: A Bad Luck Cat Mystery, by Kay Finch

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Black Cat Crossing: A Bad Luck Cat Mystery, by Kay Finch

In the first in this cat-filled cozy series, aspiring mystery author Sabrina Tate is about to discover that when it comes to solving murders, her new feline friend Hitchcock is a master of sleuthing…

Sabrina has never been the superstitious type. Still, when she moves to Lavender, Texas, to write her first novel and help her Aunt Rowe manage her vacation rental business, Sabrina can’t avoid listening to the rumors that a local black cat is a jinx—especially after the stray in question leads her directly to the scene of a murder.

The deceased turns out to be none other than her Aunt Rowe’s awful cousin Bobby Joe Flowers, a known cheat and womanizer who had no shortage of enemies. The only problem is that Aunt Rowe and Bobby Joe had quarreled just before the cousin turned up dead, leaving Rowe at the top of the long list of suspects. Now it’s up to Sabrina to clear her aunt’s name. Luckily for her, she’s got a new sidekick, Hitchcock the Bad Luck Cat, to help her sniff out clues and stalk a killer before Aunt Rowe winds up the victim of even more misfortune…

  • Sales Rank: #246867 in Books
  • Published on: 2015-09-01
  • Released on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.70" h x .70" w x 4.30" l, 1.00 pounds
  • Binding: Mass Market Paperback
  • 304 pages

Review
"Black Cat Crossing has everything a cozy mystery could want--intrigue, memorable characters, a small-town setting, and even a few mouth-watering recipes...A purr-fectly cozy read." -- Ellery Adams, New York Times bestseling author of Murder in the Mystery Suite

"If Charlie and Diesel ever make it to Texas, they'll be heading straight to Lavender to meet Sabrina and Hitchcock to talk about solving mysteries of Black Cat Crossing and I loved every page. I can't wait for a return visit to Lavender." -- Miranda James, New York Times bestselling author of the Cat in the Stacks mysteries

About the Author
Kay Finch grew up on a Pennsylvania farm, but she got to Texas as fast as she could and discovered her favorite vacation spot, the Texas Hill Country. Kay is the author of the Bad Luck Cat Mysteries, as well as the Corie McKenna, Houston PI Mysteries and the Poppy Cartwright Klutter Killer Mysteries. She is a member of Mystery Writers of America, Sisters in Crime, and the State Bar of Texas Paralegal Division. Kay lives with her husband, a rescue cat, and two wild and crazy rescue dogs in a Houston suburb

Excerpt. © Reprinted by permission. All rights reserved.

He was sitting on a fallen tree limb. A rather large limb with one end resting on the riverbank, the other end submerged. The cat was taunting me for some reason, and I was crazy to be out here in the middle of the night following the animal around.

“If you want to be friends, come and visit me tomorrow,” I told the cat, then turned to retrace my steps.

I swear he meowed again, though I couldn’t be sure over the sound of the river. I turned the light back toward him and stopped when I spotted a brown ostrich-skin boot propped on top of the fallen limb near the cat.

What the heck?

I walked as close as I safely could to the riverbank’s edge, three feet or so above the water. The boot was actually lodged in the fork of a branch attached to the limb.

My heart raced. Was there still a foot in that boot?

I changed my position and saw the leg bent at an unnatural angle. A leg clad in khaki pants. A wave of nausea washed over me as I moved the light and discovered the rest of the body submerged in the water.

Earlier today I had wanted Bobby Joe Flowers to go away and leave us alone.

But not this way.

My first heartfelt thanks go to Leann Sweeney and Jennifer Stanley. Without an extraordinary set of circumstances initiated by them, I would not be writing this series today. Thanks to my agent, Jessica Faust, for reaching out to me and for her enthusiastic encouragement. I’m so grateful for Michelle Vega, my editor, and the entire Berkley Prime Crime family, who have given me such a warm welcome. Getting to know you all has been a dream come true. Thanks to my husband, Benton, for willingly eating leftovers while I spend long hours at the computer. My critique group is top-notch in the advice and support department—thanks to Bob, Dean, Julie, Kay 2, Laura, Susie, and Millie. Thanks also to Amy, critiquer extraordinare, and to my coworkers Bobby, Cheryl, Lisa, and Susan, for listening patiently when I discuss the best way to kill my next victim. Last but not least, I appreciate my personal good luck cat, Alice, who sat with me and meowed her two cents during the writing of this book. Thank you, one and all, for everything.

1

I LACED MY FINGERS, cracked my knuckles, and stared at the few words on my laptop screen. Behind me, the hum of early morning conversation in Hot Stuff Coffee Shop went on as usual. Back when I was a kid visiting my aunt Rowena, the shop was called Das Kaffeehaus, in keeping with the German heritage here in Lavender, heart of the Texas Hill Country. Then a transplant from San Antonio bought the place and changed the name to Hot Stuff. He traded the old oom-pah-pah background music for seventies disco tunes. I’d choose listening to Donna Summer over any polka band in history, but I had to wonder why he didn’t go with a country music theme. After all, this was Texas.

Boot Scootin’ Coffee, perhaps.

Or, if he had his heart set on Hot Stuff, he could stream songs by today’s up-and-coming hunky performers. More good-looking guys than I can keep up with, but dang it, thinking about country singers wasn’t supposed to be on my agenda this morning.

I yanked off one of the ponytail holders I wear on my wrist like extra bracelets and gathered my mop of hair at the nape of my neck. After fastening the hair with the pink elastic band, I tried to concentrate on my story. In the real world, I listened to the peaceful clinking of spoons against heavy crockery mugs and the Bee Gees crooning “How Deep Is Your Love,” but on the pages of my novel in progress, all hell had broken loose. Scarlett Olson and her toddler Melody were on the run from a killer, having barely escaped plunging into an icy river in Calgary, which would have meant their sudden death.

I sat back and nibbled my lower lip. Would this plot line fly? Should Scarlett have had more sense than to leave the safety of their hideout? She’d seen the weather forecast for torrential rain on TV that morning. She knew the killer was nearby. Would the reader rag on my character for not calling the authorities, even though she couldn’t risk turning on her cell phone for fear the villain would track her signal?

I blew out a breath and stared at the poster of John Travolta in Saturday Night Fever on the wall near me. I supposed he was considered “hot stuff” back in the day—around the time I’d been born. I rubbed my neck, feeling Scarlett’s predicament in every tendon, but did it come across on the page? For the millionth time I wondered whether I’d ever finish this book or if I was destined to the status of wannabe mystery author forever. I lifted my cup and took a whiff of the heavenly vanilla-and-almond-scented coffee—a house blend called Lavender’s Sunrise.

Try to relax, Sabrina. For God’s sake, focus.

Before I could get back into the story, the shop’s bell tinkled and the door thwacked open into the table behind it. I turned and saw Thomas Cortez marching straight for me. He wore a wide-brimmed straw hat, jeans over work boots, and a short-sleeved plaid shirt. I’d seen him—the handyman for Aunt Rowe’s rental cottages and her most loyal friend—tackling an overgrown hedge when I’d left this morning. His grim expression told me he wasn’t here for a great cup of coffee.

My heart leapt to my throat and I stood, fearing the worst. “Is Aunt Rowe okay?”

“She’s fine, Miss Sabrina.” Thomas pulled out a chair and plunked himself down.

“Thank goodness.” I eased back into my seat.

Thomas took his hat off and placed it on the chair across from me. “Your aunt’s having a good day so far. Glenda got her settled on the patio chaise so she can enjoy some sun before the day gets too hot. The physical therapist should be there shortly.”

My aunt, Rowena Flowers, took a nasty fall in early spring and was recovering from a concussion and a broken leg. Which was my impetus for finally quitting my Houston paralegal job and accepting her offer to come live with her for a while. In addition to keeping my aunt company, I was helping Thomas and Glenda, the housekeeper, manage the cottages during Aunt Rowe’s recuperation.

Thomas lifted his arm to check his watch, and I spotted a bloody cut on his forearm. Looked to me like he might need stitches.

“What happened to you?” I pulled a fresh napkin from the dispenser and handed it to him.

He accepted the napkin and dabbed at the wound. “El Gato Diablo is what. Gosh-darned cat crossed my path, next thing my toe caught on the curb, and I fell flat out. Arm caught the edge of one of them fancy metal planters in front of the wine shop. Better’n smacking my head, I guess.”

“A devil cat?” My forehead creased. “What are you talking about?”

“The black cat,” he said. “Big fella. Been around these parts since I was a kid.”

Since he was a kid?

“You’re what?” I said. “Thirtysomething?”

“Close enough.”

The coffee shop’s owner, Max Dieter, came up with a mug for Thomas in one hand and a steaming coffeepot in the other. The big man had a fringe of strawberry blond hair surrounding a bald crown and always offered a jolly smile. Without asking what Thomas wanted, he filled the fresh mug with a flourish.

“Heard you talking about the bad luck cat,” he said. “Legend around town. I thought we’d seen the last of him when Wes Krane loaded him up and carted him off to Nolan County.”

I’d met the crotchety Mr. Krane, owner of the local hardware store, and wasn’t surprised that he’d drive across the state just because a cat annoyed him.

Thomas lifted his arm to show Max his injury. “The cat’s here in Lavender. Did this to me.”

Max shook his head. “The animal better steer clear of my place. I remodeled to bring in more business. Don’t need bad luck scaring people away.”

I stifled a giggle. If you asked me, Max’s baby-blue leisure-suit-like pants and polyester print shirt were enough to drive customers away.

“Y’all be serious,” I said. “Cats don’t bring bad luck. And there’s no black cat that’s like thirty years old.”

Thomas said, “Remember, cats have nine lives.”

“Uh-huh.” I rolled my eyes. “You took a fall this morning, that’s all. It was an accident.”

“You’ll run into that cat one of these days,” Max said. “Most folks do sooner or later. You’ve been warned.”

“Right.” Thomas nodded. “El Gato Diablo.”

“We’ll see,” I said. “But you didn’t come to talk about a cat.”

Max took the hint and walked back to the counter, but that didn’t mean he’d quit listening in on our conversation.

Thomas leaned forward and lowered his voice. “Weekend guests start arriving tonight.”

I picked up my mug and sipped my coffee. “We discussed that earlier. Is there a problem?”

Thomas nodded. “Heard through a friend of my sister-in-law’s neighbor that Bobby Joe Flowers is on his way here, too.”

I frowned. “He was my dad’s cousin.”

“I know,” Thomas said. “And Rowena’s. She won’t be glad to see him.”

“Okay.” My shoulders tightened, and this time my tension had nothing to do with fiction. “Dad had plenty of stories about cousin Bobby Joe, none of them good. He was the rowdy one in the family, the risk taker, the womanizer, the drinker. I never met the man. Maybe he’s settled down by now.”

“He hasn’t.” Thomas drained his mug in one long swallow and put it back on the table. “We can try to keep him away from Rowena, but she likes to face problems head-on, and he usually makes a beeline to her door.”

I cocked my head. “Why is that?”

“Always lookin’ for a handout,” Thomas said. “Never has a dime to his name to hear him tell it. Rowena’s done good for herself. But last time Bobby Joe didn’t ask. Stole a couple thousand in cash from her safe.”

My jaw dropped. “That’s despicable. Did Aunt Rowe report him to the police?”

“Nope.” Thomas placed his elbows on the table and folded his hands as if in prayer. “You know how she is about family.”

“Did she get the money back?”

“What he hadn’t already spent,” Thomas said. “I mean to see nothing like that ever happens again. Expect he’ll be here by dinnertime. We need to be ready.”

The thought of anyone, family or not, treating Aunt Rowe so badly made the coffee in my gut churn. “What can I do to help?”

“Glad you asked.” Thomas pulled a list from his pocket and handed it to me. “I’m runnin’ over to Emerald Springs to pick up rosebushes Rowena special ordered. She wants ’em planted by tomorrow. You could get these lock kits at Krane’s Hardware on your way back. Put them on the company account. I’ll install them later in the main house. I’m betting ol’ Bobby Joe hung on to a key.”

I wasn’t looking forward to meeting this relative whom, for some reason, I’d never laid eyes on—not even at Dad’s funeral.

“Where does Bobby Joe stay when he’s in town?” I said. “Not with Aunt Rowe, I hope.”

“Too close for comfort,” he said. “She usually gives him the Monte Carlo cottage, but now you’re in there. Ought to send him off to the nearest La Quinta, but she won’t. Since we’re not fully booked, she’ll probably put him up in one of the other cottages.” Thomas stood abruptly and picked up his hat. “We need to be ready,” he said again, then left me with the list.

I watched him go and wondered what his being “ready” entailed and whether it involved firearms. His acting like we were the Texans hunkering down inside the Alamo as Santa Anna’s army approached made me plenty nervous.

Good Lord, there was no way I could come up with a creative thought now. The writing would have to wait for another day. I shut down my computer and slid it into my carrying case, then felt around under the table with my feet until I found my flip-flops.

I waved bye to Max, wondering how much of our conversation he’d heard. I hadn’t been around long enough to know whether he’d keep private information to himself. Assuming that everyone in town didn’t already know our family’s business.

Outside, the sky was brilliant blue, the air thick with humidity that was nothing compared to what we’d have in another couple of weeks. I hurried to my Accord, which was parked under the shade of a live oak, and stopped short when I spotted a huge, coal-black cat sitting on the car, still as a hood ornament. The feline sat tall, with its vivid green eyes focused on me.

This had to be the cat Thomas and Max referred to as the bad luck cat, but I didn’t buy that for a second. I smiled at the animal and held out a nonthreatening hand as I took baby steps toward the car.

“Aren’t you gorgeous?” I said, and that’s when the cat took off through the flowering white oleander bushes that separated Hot Stuff’s parking lot from the wine shop’s lot next door.

I shrugged and climbed into the car. Technically, the cat had not crossed my path, so I should be good to go.

2

KRANE’S HARDWARE SAT on the outskirts of Lavender town proper and, as evidenced by the row of vehicles parked out front, the store did a bang-up business. I pulled my small car into a space between a couple of 4x4 pickups and climbed out, feeling like I’d arrived in the land of the giants.

Hardware made up only a portion of Krane’s inventory. With departments devoted to household goods, hunting and fishing, plants, and pets, the place drew customers who didn’t feel the need to drive an hour to the nearest Walmart. I pulled Thomas’s list from my shorts pocket and headed inside, hoping they had the locks he wanted.

I was looking at the piece of paper in my hand while stepping up to the entrance and nearly got clobbered by a humongous bag of dog food perched on a cowboy’s shoulder as he headed out. I ducked in the nick of time, and he went on to his truck without ever seeing me. I pushed through the swinging glass door and walked into the store.

A heavyset young woman in a green bib apron with “Krane’s” embroidered on the breast pocket stood at the front window, staring into the parking lot. She glanced at me and said, “Isn’t he dreamy?”

What? Who?

I walked over to her and followed her gaze. The cowboy who’d almost taken me down hefted the dog food from his shoulder into the bed of his white pickup. When he turned toward the driver’s door, I got a good look at him.

“Pretty cute,” I agreed, though that was an understatement. The man looked to be a little over six feet, late thirties or so, with dark hair and a five-o’clock shadow several days old. The rugged, outdoorsy type. Definitely dreamy. He wore a belt with the requisite Texas-sized belt buckle and jeans that fit him ever so well. The yellow Lab riding shotgun in his passenger seat was super cute, too.

“Who is he?” I asked the clerk.

“Luke Griffin,” she said. “Lives on the Kauffman ranch.”

I didn’t know where that was, and I might have asked except that my attention was drawn to a fiftyish man getting out of a cherry red SUV. He approached Griffin, who sure didn’t look happy to see him. In fact, he seemed downright perturbed. The two erupted into what looked like a verbal battle with a lot of waving arms and finger-pointing.

The store clerk and I exchanged glances.

“Who’s that guy?” I said.

She shrugged. Behind us a loud voice snapped. “Hallie, where the devil are you? You have customers to take care of.”

We turned away from the window in unison. At the U-shaped checkout counter, one cashier was efficiently ringing up an order while five people waited in line to check out. The second cash register stood unused.

“Sorry, Dad.” Hallie hurried over to her register and said, “I’ll take the next customer over here.”

Until now, I hadn’t known the clerk was related to the store’s owner, though I had seen her a couple of times before. I approached Krane, who looked like he’d had a rough morning. The sleeves of his off-white shirt were soiled with dark, wet stains. His face and neck dripped sweat, and his sparse salt-and-pepper hair needed combing.

“Sorry,” I said. “My fault. I distracted your daughter.”

“Did she help you find what you came for?” He looked pointedly at my empty hands.

“No, not yet.” I handed him Thomas’s list. “I need to get these.”

“She wasn’t gonna find any deadbolt locks by staring into space,” he said. “What to do with that girl, daydreaming one minute, listening to that noise she calls music the next? This way.” He turned and strode down an aisle.

The man was so grumpy I wouldn’t blame customers for driving to Walmart to avoid him. I needed the locks sooner rather than later, though, so I followed Krane. He stopped midway down an aisle, near another woman wearing a Krane’s apron. She was unpacking a box of fire ant poison and stocking the shelf in front of her.

The woman gave Krane a once-over and said, “You go Dumpster diving?”

He scowled at her. “Stupid cat got in the garbage again. Dragged stuff all over the place.”

“El Gato Diablo?” she said.

“Who else?” Krane said.

The woman looked at me. “Did he get you, too?”

“Gosh, do I look like I’ve been in a fight with a cat?”

She grinned. “No, I meant has the cat caused you bad luck?”

“Not yet,” I said, playing along rather than pointing out that cats do not affect luck.

“Good for you,” she said. “Just this morning the mailman came by and said he’d spotted the black cat. Next thing he knew a gust of wind ripped the mail he was about to deliver right out of his hand. Blew it into the street, and he nearly got plastered by a truck hauling a load of hay when he chased after the envelopes that got away.”

The cat controlled the wind. Right.

“Lucky he wasn’t hurt,” I said.

“A miracle,” she said with a touch of sarcasm.

Krane was focused on finding my locks and obviously didn’t want to talk about the cat. He ran a finger down a row of packages and pulled one off the rack to check against the list. “These deadbolts for Rowena’s place?”

“Yes,” I said, “Thomas sent me for them.”

“Having trouble out there?” He turned to me, and his brows drew together.

“No trouble.” I wasn’t about to give either of these people something else to blame on an innocent cat.

“Huh.” He picked up four identical packages. “I’ll take these to the checkout for you. Need anything else?”

“Not today.”

I followed him to the front of the store, where he recorded the purchase on Aunt Rowe’s account. He bagged the locks and handed them to me.

“Thanks, Mr. Krane. Have a good day.”

“Yeah,” he muttered. “You, too.”

I left the store and found myself disappointed that Luke Griffin and the angry stranger were gone. The brief conflict I’d seen between the two men was interesting and mysterious. Maybe I could use a confrontation like theirs somewhere in my book. I tucked the thought into the overstuffed “ideas” section of my brain, the section that could stand to have its files better organized.

I climbed in my car, backtracked into town, and hung a left on Gazebo Street. The short drive from there to Aunt Rowe’s property took me over rolling hills and past sparkling spring-fed creeks. My shoulders relaxed, and I sank back into my seat as I enjoyed the scenic drive. Two miles out of town, I turned again on Traveler’s Lane, the driveway to Aunt Rowe’s house and her Around-the-World cottages. I headed for my place first, the Monte Carlo cottage.

Guests who valued beauty over practicality chose to stay here rather than rent a typical Hill Country wood-sided, tin-roofed cabin. Aunt Rowe had designed each cottage in a style reminiscent of her trip to a particular city. In Monte Carlo, she had avoided overpriced lodging along the coastline and opted to rent a charming Tudor cottage.

I walked up the stone walkway, entered the cottage, and set my laptop on the small table in the combination kitchen/dining/living room. I opened the blinds on the window next to the stone fireplace to give myself a view of the steps leading down the steep incline to the river. Maybe creativity would flow better here today than it had at the coffee shop. I’d give the writing another try after checking in with my aunt. Thomas hadn’t said whether she knew about Bobby Joe Flowers’s impending visit, and I decided I wouldn’t bring him up unless she did.

I grabbed a bottle of water from the mini-fridge in the kitchenette and took a long swig as I walked into the living area. Even though I’d never met Flowers, I wondered why he usually stayed in this cottage with its decidedly feminine decor, all pastels and lace. Aunt Rowe had decorated the Monte Carlo with posters and photographs of the French Riviera, casinos, and palaces. A framed photograph of her on a sailboat with one of the James Bond actors who had lived there when she visited stood on the mantel. A picture book from the Princess Grace Gardens sat on the coffee table next to a photo album of Aunt Rowe’s shots from her trip, alongside a journal she kept there for all guests in the Monte Carlo cottage to record thoughts about their stay if they so desired.

I pulled off my ponytail holder and ran my fingers through my hair, then retrieved the new locks from my car and walked the short distance up a gravel lane to Aunt Rowe’s house. I went in through the back door of her rambling one-story and left the locks in the utility room for Thomas.

Salsa music was playing, way too loud. I followed the music to the screened porch and found my aunt sitting on an oversized wicker chair surrounded by blue-striped pillows, her leg cast propped on a matching pillow atop a wicker ottoman. She wore a bright red off-one-shoulder top and a big yellow flower clipped in her dyed auburn hair.

“Wow,” I shouted for her to hear me over the music. “What’s the occasion?”

She looked up and gave me a big smile, then grabbed a remote and lowered the volume on her Bose sound system. “Sabrina, you’re back early. How do you like my Zumba workout music?”

“Zumba?” The woman was closing in on seventy and had a cast on her leg.

I sat in a chair across from Aunt Rowe and watched with amusement as she started moving her arms and snapping her fingers in time with the music.

“Zumba’s a workout without the work. More like dancing. And this—” She paused to run a hand across the fabric of her red top. “I bought in Paris and wore one night that I spent dancing with a special gentleman. It brings back good memories.”

She was in a happy mood, a rarity in the six weeks since I’d moved here. “That’s nice, but you might have to put the Zumba on the back burner for a few more months.”

“It won’t be months,” she said. “I’m on a new quick-healing program.”

“Oh? You saw your doctor today?”

“No. Claire Dubois came to visit and told me all about foods that promote bone healing. Glenda is off to the market as we speak, to make sure I’m stocked up on green leafy vegetables, calcium-fortified orange juice, sweet potatoes, yada yada yada.”

“Claire from the wine shop?”

Aunt Rowe smiled. “The very one.”

Odd that Claire would come here. She never seemed especially friendly, and Aunt Rowe had never mentioned her before. But now I was beginning to suspect the real reason for my aunt’s better mood.

“I didn’t know you and Claire were close,” I said. “Did she tell you about the Zumba workouts, too?”

“No, the Zumba was my idea. I’m sick to death of crosswords and daytime TV.”

“Did Claire happen to bring something with her to help you heal?”

Her smile disappeared. “For Pete’s sake, Sabrina, so she brought me some wine. I knew you’d start nagging when you found out, but I didn’t take any pain meds today, at least not after I started drinking.”

“But, Aunt Rowe—”

“Don’t ‘but’ me,” she said. “If you’d rather have me grousing about my circulatory problems, the fact that I can’t sleep worth a darn, or those flippin’ crutches, I will. At least the wine made me forget about that crap for a little bit.”

“Okay, okay.” The wine had messed with whatever meds were still in her system. Aunt Rowe didn’t normally fly off the handle so easily.

“I want to be up and about, ready to greet my new weekend guests,” she said. “I live for that, you know.”

“I know you do.” Feeling sorry for getting on her about the wine, I moved from my chair and perched carefully on the edge of the ottoman supporting her cast. “I ran through the Barcelona, Florence, and Madrid cottages this morning and left your welcome baskets. Maybe you should try to take a nap this afternoon before the new guests arrive.”

She nodded. “A nap might be the thing. The wine made me a bit drowsy.”

We both started at the sound of a car on the gravel outside. I looked over Aunt Rowe’s shoulder to the driveway and the vehicle that pulled up to the closed garage doors.

The red SUV looked awfully familiar.

“Is Glenda back?” She was trying to turn and look, but her rigid leg kept her from finding the right position.

“No, it’s not her.” The man who climbed out of the SUV was the guy from Krane’s parking lot.

“Then who is it?” Aunt Rowe said.

“I’ll go see.” I walked over to the screen door, which was where the man immediately headed.

Was he one of the weekend guests? But why wouldn’t he go to the front door of the house?

I opened the door before he reached it. Definitely the guy who’d argued with the cowboy. He wore khakis with a crease, a green golf shirt, and brown ostrich-skin boots that looked brand new. His longish hair was gray and thinning on top, and he sported a sparse beard.

“Hello,” I said. “May I help you?”

He looked me up and down with a leer that would have made J. R. Ewing proud. “I’ll sure bet you could, darlin’. I’m Bobby Joe Flowers.”

3

ALL I COULD think of was Thomas warning me we needed to be ready when Bobby Joe Flowers arrived.

I didn’t feel ready.

The man standing in front of me was my father’s first cousin. My first cousin, once removed. The ne’er-do-well prodigal cousin I’d heard about my whole life but had never met.

“Is Rojo here?” he said.

A lump the size of an apricot formed in my throat. Rojo. My dad’s nickname for his sister, Rowena Josephine. I didn’t like the sound of her pet name coming from this man’s lips.

I cleared my throat. “She’s recovering from a serious injury,” I said, intending to send him on his way, but my aunt was too close and had heard every word.

“Bobby Joe, don’t even think about hitting on this young lady,” Aunt Rowe said.

I turned, surprised to see she had managed to get up and now stood a few feet behind me on her crutches.

“Give me some credit,” he said. “Would I hit on Saint Richard’s daughter?”

He gave me a smarmy smile that made me cringe inwardly. How did he know who I was? Even if he’d received childhood pictures of me in annual Christmas cards, which I doubted, it didn’t make sense that he would recognize me at thirty-eight. And what was up with him referring to Dad in that snide tone of voice?

Bobby Joe entered the house as if he lived here and went up to his cousin. “Place looks nice.” He leaned in and gave Aunt Rowe a kiss on the cheek. “Sorry to hear about your leg. What happened?”

Aunt Rowe and I exchanged glances. This was normally where she’d offer refreshments to someone who came calling, but her stiff posture and the lack of warmth in her expression told me how she felt about this unexpected visit. By her silence, I guessed she didn’t even want to tell him how she’d tumbled down the stone steps leading to the river. I checked my watch. This would be a great time for Thomas to get back.

Using the most formal tone I could muster, I said, “What brings you to Lavender, Mr. Flowers?”

His lips curled up, and he laughed. “Well ain’t you a chip off the old aunt? Call me Bobby. We’ll be gettin’ to know each other right quick seein’ how I’ll be living in these parts from now on.”

“Living here?” Aunt Rowe said. “In Lavender?”

“That’s right. I’m stayin’ with a friend, so you don’t have to worry about puttin’ me up for now. But you might want to have a seat before I fill you in on the rest of my news. Wouldn’t want you to take another fall.”

So he already knew she’d fallen? How? Not everyone with their leg in a cast had injured themselves by falling. My stomach twisted into a tighter knot with every word the man said. He wasn’t the type to care if Aunt Rowe asked him to leave. Unless we could bodily throw him out—an impossible task—we were stuck with the guy.

I went over to Aunt Rowe and put a hand on her arm. “Let me help you.”

She went willingly to her seat on the wicker chair, but she didn’t relax against the pillows. Bobby Joe took one of the chairs facing her, and I sat in the other.

“Spit it out, Bobby Joe,” Aunt Rowe said. “I don’t have all day.”

He grinned, drawing out the telling of whatever he’d come to say. He propped one of his spanking-new boots on the opposite knee. “I had a medical procedure recently, too. Not so serious as yours, Rojo, but it led to finding out a damn interesting fact about my blood.”

“And you came to share your medical history with me,” Aunt Rowe said, regaining some of her composure. “How special.”

He ignored her sarcasm. “See, my blood don’t have much in common with my brother’s or sister’s. Imagine my surprise. I’m here to tell you I think my blood’s a lot more similar to what you got runnin’ through your veins, Rojo.”

“What?” I blurted. “That’s a ridiculous thing to say.”

He chuckled. “Let me finish, little lady.”

“Explain yourself,” Aunt Rowe said. “Before I throw you out of here on your ear.”

Bobby Joe leaned forward and fixed his gaze on her face. “Ran into some people over in Austin. The Staffords. Remember them? They knew our folks real well back when we were kids.”

“I remember.” Aunt Rowe spoke slowly, as if she wished she didn’t know who he was talking about.

“Miz Stafford’s near ninety, still sharp as ever. She was surprised to hear my folks stayed together till their dying day.”

I remembered seeing Henry and Eliza Flowers and their other children, Becky and J. T., from time to time at family reunions. Bobby Joe was never with them.

“Your folks had issues,” Aunt Rowe admitted. “Lots of folks did.”

He shook his head. “But not yours. They were perfect, just like Saint Richard. And you. Always better than the rest of us.”

“Cut the crap.” Aunt Rowe raised her voice. “No one’s perfect.”

“Not your daddy, that’s for sure.” He gave us the smarmy grin again. “See, Miz Stafford tells me your daddy and my mama were especially close, right before the time I came along. Put two and two together, Rojo. I think I’m your baby brother.”

Aunt Rowe gaped at him. I gasped. He was saying PawPaw cheated on Granny. I wanted to call Bobby Joe a big fat liar. My grandparents were the happiest couple I’d ever known.

“Given this new information,” he went on, “I’d say the land we’re sittin’ on, including those profitable little cottages you rent out, is rightly half mine.”

Aunt Rowe moved quick as a snake. She jumped up from her seat and took a couple of steps toward him on her cast. She gripped a crutch in her right hand and swung it toward his head like a batter itching to hit a home run.

The crutch connected with his temple, and the impact sent his chair flying over backward.

Aunt Rowe’s face was beet red. “How dare you come into my house and slander my father’s good name,” she yelled. “You can take your lies somewhere else, ’cause you will never get your slimy hands on one square inch of this property. No. Way. In. Hell.”

Bobby Joe was down on the floor, flailing on top of the wicker chair, protecting his face with his arms. Blood spurted from the place where her weapon had connected with his head. She stood over him with a crutch poised in the air like she planned to clobber him again.

I jumped up. “No, Aunt Rowe. Stop.”

She was zoned out, livid, and didn’t seem to hear me. “You’re a lying sack of—”

A loud voice interrupted the melee. “Excuse me.”

I glanced up to see a man standing at the screen door. He had two children with him—a boy and a girl—and their mouths were hanging open.

“I’m Tim Hartman,” the man said. “And we have reservations for the Barcelona cottage. We’re, um, kind of early.”

•   •   •

TWO hours later, I was at my friend Tyanne Clark’s bookstore. The store had closed at five, and we sat in a cozy reading nook in the back enjoying glasses of sweet tea with lemon. Ty had kicked off her Crocs—I swear she had every new style they made and a pair in every color—and sat with her legs curled under her. She was as petite and blond as I was gangly and dark, and the easy chair seemed to swallow her.

Ty and I had met when we were eight, during one of my summer visits to Aunt Rowe’s. Since then, I’d married, divorced after four difficult years, and given up on finding a man I was willing to live with. Instead, I spent all my passion at the computer, trying in fits and starts to write a book I could sell. So far all I had to show for my trouble was a pile of rejection letters.

Tyanne had married, given birth to three children, and opened Lavender’s only bookstore, Knead to Read, a name inspired by her bookstore cats, Zelda and Willis. With Internet sales, e-book rentals, and a booth at every Hill Country bazaar and festival in three counties, Ty kept her business hopping.

At the moment, the store mascots were winding down their day. Zelda, an orange female, was asleep on Ty’s lap. Willis, a big tabby tomcat with striking markings, sat nearby kneading the braided rug under her chair.

After I spilled the whole sordid story about what had happened at Aunt Rowe’s, Ty said, “You’re lucky Thomas showed up when he did, before Rowe killed the man.”

“I know. Thomas even managed to convince Mr. Hartman to keep his reservation and checked the family into the Barcelona cottage. I’m not sure how, given what the poor guy and his children witnessed.” I took a sip of tea and put my glass down on a side table. “Aunt Rowe went ballistic, but if she hadn’t hit Bobby Joe, I might have done it for her.”

“Do you believe his story that he’s her brother?” Ty asked.

I shrugged. “I’d rather believe this is another ploy to get money. If it’s true his mother and my grandfather had an affair, then why didn’t anyone hear rumors before now?”

“People were more discreet about their private lives when your grandparents were young,” she said. “These days people don’t mind showing up on reality TV and announcing to the whole world: ‘I was seduced by my brother-in-law and I’m having his baby.’”

“Stop,” I said. “My grandfather didn’t seduce anyone.”

“Maybe you’re right.” Ty ran a hand through her short blond curls and gave me a conciliatory smile. “You think Flowers will turn your aunt in for assault?”

I shook my head. “He was laughing about the whole incident when he left. Stayed only long enough for Thomas to patch up the cut on his forehead with a butterfly bandage from the first aid kit. His head bled like crazy.”

“With all that blood, you should have collected a sample. Had it tested against your aunt’s and gotten an answer. Wouldn’t have to make yourself sick wondering.”

I shook my head. “I don’t think collecting a blood sample would do the trick. Years ago, I did some DNA research for a book. Don’t you need the father’s blood to get conclusive test results?”

“They have more-advanced tests these days,” Ty said.

I didn’t want to hear that. “Bobby Joe has to know Aunt Rowe’s not handing over her inheritance on his say-so. Probably won’t give him a dime even if science can prove he really is her brother. The law might protect her, too, depending on what exactly PawPaw’s will said. I’m sure Bobby Joe has a plan. He said Aunt Rowe would hear from him again soon.”

Ty raised her eyebrows. “Or his lawyer. Or the cops. Or both.”

“He can bring it on,” I said. “I’m angry that he tarnished the memory of my grandfather. And I sure hope he can’t lay claim to Aunt Rowe’s property.”

Willis walked over and rubbed against my leg as if he knew I needed comforting. I reached down to scratch behind his ears.

“Don’t let this change your feelings about family,” Ty said. “I mean the family you’ve known and loved, not this Flowers character.”

“Easier said than done.”

She grinned. “I know exactly what you need to do.”

“Find an attorney to represent my aunt against criminal charges?” I said dejectedly.

“No. Use this somehow in your book. Conflict on every page, remember?”

Tyanne was always harping about conflict. She was the only person I allowed to read my manuscript pages, and though she was a harsh critic her insights were usually spot on. I sat back and thought about how I might weave details of what had happened today into my book. Maybe a twist on real events. I could have Scarlett Olson run to an uncle she hopes will keep her and her daughter safe, only to learn he isn’t her uncle at all.

“You gave me an idea,” I said. “I’m going home to write.”

•   •   •

BACK at the house, I learned from Thomas that Aunt Rowe had taken a sedative and was sleeping like the dead. Bobby Joe Flowers hadn’t been seen or heard from again. Thank goodness.

In my cottage, I booted up my laptop and read over the last few pages of my novel. I mapped out possible plot changes but wasn’t happy with any of the ideas I came up with. Sometimes writing was nothing but a big time suck. Around eleven I called it a night and went to bed.

I tried to sleep, but apparently I was too wound up after what had happened today to write or to sleep. By two, I gave up on the bed and decided to bake. I had a craving for pecan tarts. I changed my nightgown for shorts and a T-shirt, added socks and tennies, then grabbed a flashlight and keys and headed to Aunt Rowe’s. Not my first middle-of-the-night foray into her large country kitchen. I had baked things there as a cure for insomnia two or three times a week since coming to live in Lavender. Though Aunt Rowe claimed she had trouble sleeping, she had yet to interrupt me during a baking frenzy.

The night was humid and still. From the path, I could barely hear the gurgle of the Glidden River—a narrow section of which ran through Aunt Rowe’s property. Clouds drifted across the half-moon, and I flipped on the flashlight to guide me. At her back door, I stubbornly tried my key three times and then smacked my forehead with the heel of my hand.

Of course. Thomas had changed the locks.

I stood there for a few seconds, grieving for the pecan tarts I would not be eating. I’d have to settle for the banana bread I had leftover from my last middle-of-the-night bake-fest. I hurried back along the path toward my cottage. The clouds slid away from the moon, and I switched the flashlight off to conserve the batteries.

Something darted across the path in front of me.

I stopped and scanned the area. Up ahead, eyes glowed in the dark. My heart raced. I turned the flashlight back on and found a large black cat sitting about twenty yards ahead of me. The same cat I’d seen sitting on my car the day before.

This time it had crossed my path.

If that had happened before Bobby Joe Flowers’s visit, I’d say he was the bad luck. Or if the cat had shown itself on the way to Aunt Rowe’s house, I’d say the bad luck was that I didn’t have the right house key.

Black cats don’t cause bad luck, Sabrina, remember?

I resumed walking, and the cat stayed right where it was until I got closer. Then it jumped up and ran ahead.

When I reached my cottage, I saw the cat sitting on the top stone of the steps leading to the river. I stooped down and talked to the animal.

“You’ve made quite a trip coming all the way out here from town,” I said. “You might want to steer clear of Thomas, though. He probably won’t be happy to see you.”

The cat meowed.

“Glad to meet you, too,” I said. “You remind me of a cat I used to have. Smoky went all the way through college with me, but then I married Elliott and he was allergic. Should have made him move out instead of the cat. But Dad kept Smoky for me until he passed. Smoky, I mean, not Dad, but Dad’s gone now, too.” My eyes teared.

Get a grip. You’re talking to a cat as if it’s your therapist.

The cat stood and looked at me, then turned and darted down the steps.

“Wait.” I ran to the top of the steps and shone my light in the direction the cat had run.

There, another flash of black.

Where was the danged cat going? I thought cats didn’t like water.

I took the steps a little too quickly and had to stop for a moment to catch my balance on one flat stone that rocked when I put my weight on it. I slowed down, taking care so I wouldn’t slip and fall. When I reached the bottom, the cat’s green eyes appeared in a place that made it seem like the animal was suspended over the water.

No, he was sitting on a fallen tree limb. A rather large limb with one end resting on the riverbank, the other end submerged. The cat was taunting me for some reason, and I was crazy to be out here in the middle of the night following the animal around.

“If you want to be friends, come and visit me tomorrow,” I told the cat, then turned to retrace my steps.

I swear he meowed again, though I couldn’t be sure over the sound of the river. I turned the light back toward him and stopped when I spotted a brown ostrich-skin boot propped on top of the fallen limb near the cat.

What the heck?

I walked as close as I safely could to the riverbank’s edge, three feet or so above the water. The boot was actually lodged in the fork of a branch attached to the limb.

My heart raced. Was there still a foot in that boot?

I changed my position and saw the leg bent at an unnatural angle. A leg clad in khaki pants. A wave of nausea washed over me as I moved the light and discovered the rest of the body submerged in the water.

Earlier today I had wanted Bobby Joe Flowers to go away and leave us alone.

But not this way.

4

FOR A FEW seconds I considered jumping in to rescue Bobby Joe. I had years of experience leaping into the water from this bank. The river pooled here and was about eight feet in the deepest section. There were some large rocks I’d have to avoid, a tricky maneuver to pull in the dark. I slipped off my tennis shoes, but then logic kicked in. Bobby Joe was facedown in the water and looked like he’d been there for a while. I was too late.

With shaking hands, I patted my pockets for my cell phone. No luck. I’d left it on my nightstand. Not very far away, but now that I’d found the body, I felt weird about leaving Bobby Joe. Like I was abandoning a long-lost cousin. What if the river’s current dislodged him and carried him downstream? I told myself he couldn’t be swept off into some large body of water and lost forever, at least I didn’t think so. Still—

Move, Sabrina. Make the call.

I turned and took the steps with care so I wouldn’t fall and meet the same fate as Bobby Joe. I shone the flashlight around the sparsely wooded area surrounding me, looking for the black cat. He was nowhere in sight. He had led me to the body, then disappeared as though his work was done.

After reaching the top of the steps, I hurried inside and retrieved my phone. I dialed 911 and told the dispatcher about Bobby Joe. The woman took my information and told me the authorities would be on their way and I should stay on the line.

Most helpful customer reviews

16 of 16 people found the following review helpful.
This book is purrfection!
By Lisa Ks Book Reviews
Author Kay Finch is the new cat’s meow of cozy mysteries.

A cozy mystery where the protagonist is an aspiring mystery writer and a black cat that is supposed to be bad luck? How was I going to pass on this one? And then, on the very first page there is a coffee shop that plays disco music. Author Kay Finch must have my house bugged!

To say I loved BLACK CAT CROSSING would be an understatement. This first book in the new Bad Luck Cat Mystery series was absolutely purrfection (Oh come on, I had to!).

Sabrina Tate, the above mentioned protagonist, is a fantastic cozy lead. And I adore her Aunt Rowena “Roe”. And Hitchcock the cat is sure to be a favorite among readers. I look forward to reading more about them in future installments.

Ms. Finch has written a book packed with mystery and intrigue. Each chapter brought something new and exciting to the story. All culminating in a surprising reveal that left me both shocked and breathless.

Look for the yummy recipes at the back of the book!

14 of 14 people found the following review helpful.
Highly Recommend this New Cozy Mystery!
By Linda Langford at Chatting About Cozies
Debut cozy that grips your attention straight from beginning to end! Sabrina Tate is living with her Aunt Rowe in the small town of Lavender, TX. Hampered by a broken leg, her aunt needs help managing the vacation cottages she owns. Sabrina is an aspiring mystery author and is immediately intrigued by a legend she hears about a black cat locals say brings bad luck. When Sabrina dubs the cat 'Hitchcock', and he slyly leads her to a murder scene on her aunt's property, suspicious experiences and past events began to come to light and possibly merge with present events. A handsome game warden, Luke, seems to be around a lot when Sabrina needs rescuing. Several locals seem rather hostile and secretive, plus those who believe Hitchcock is a jinx want him captured. Murder, lies, fears, and hidden affairs cause plenty of obstacles for the sleuthing Sabrina as she works to prepare a polished manuscript for her new agent amidst all the turmoil surrounding her and her aunt. This black cat has nine lives and a personality that will steadily steal your heart. The characters are interesting, and I look forward to getting to know them better in future stories! Delicious dessert recipes included.

I received a complimentary copy of this book from the author in exchange for an honest review.

10 of 10 people found the following review helpful.
Great Twists!
By Lori Caswell/Dollycas
Dollycas’s Thoughts

Sabrina Tate, an aspiring author, comes to Lavender, Texas to help her Aunt Rowe take care of her rental cabins while her broken leg heals and to finally get the book out of head and down in print. She quickly learns about a Bad Luck Cat in the area. She is surprised when a black cat is right outside her cabin door, it has to be the same cat. She can’t help but follow the feline and wishes she hadn’t when he leads her right to a dead body. The body of Bobby Joe Flowers, her Aunt Rowe’s conniving cousin who had just come back to town. The body of a man her Aunt Rowe argued with earlier. She knows this is going to be bad, she knows her aunt his going to be the number one suspect. Since the cat led her to the body maybe he can lead her to the killer. How is she ever going to get her book written if she has to solve a murder case while the police have their sights set on Aunt Rowe?

I liked Sabrina right away. She does not believe there is any such thing as a Bad Luck Cat, in fact she is going to do everything she can to save him from the superstitious folks of Lavender. As a true cat lover I was totally rooting for the kitty she quickly names Hitchcock.

The author sets a very fast pace from the first page. Sabrina has her hands full – saving Hitchcock, writing her book, helping with the cabins, solving a murder and maybe an old murder too. Her friend even sets her up with a meeting with an agent when she barely has written 3 chapters let alone a whole book.

Writing the first book in a series is hard because all the characters need to be introduced and they have to be fleshed out enough so the reader can engage with them. The author also has to give us a good credible mystery that we cozy readers can try to solve before the protagonist. Kay Finch does a good job with this, but at times is was just a little too much. Sabrina just had so much going on. At times I wanted to jump into the book and tell Sabrina’s friend, Tyanne, to slow down. Seriously I get Sabrina may need a nudge to get going on her book but after she found a body on her aunt’s property and her aunt being questioned by police it was time to back off and reschedule the meeting. I am surprised Sabrina held it all together, a normal person would have crumbled with all the weight upon their shoulders.

With that said the mystery was good and had great twists and was very entertaining. I was totally surprised by how things played out. Hitchcock and Sabrina make a great team and I am looking forward to seeing what drama they get themselves wrapped up in next.

See all 81 customer reviews...

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