Selasa, 16 Maret 2010

[E602.Ebook] Free Ebook Michelle Obama: A Life, by Peter Slevin

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Michelle Obama: A Life, by Peter Slevin

This is the inspiring story of a modern American icon, the first comprehensive account of the life and times of Michelle Obama. With disciplined reporting and a storyteller’s eye for revealing detail, Peter Slevin follows Michelle to the White House from her working-class childhood on Chicago’s largely segregated South Side. He illuminates her tribulations at Princeton University and Harvard Law School during the racially charged 1980s and the dilemmas she faced in Chicago while building a high-powered career, raising a family, and helping a young community organizer named Barack Obama become president of the United States.
        From the lessons she learned in Chicago to the messages she shares as one of the most recognizable women in the world, the story of this First Lady is the story of America. Michelle Obama: A Life is a fresh and compelling view of a woman of unique achievement and purpose.  

 

  • Sales Rank: #15984 in Books
  • Published on: 2016-01-26
  • Released on: 2016-01-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.30" l, .95 pounds
  • Binding: Paperback
  • 432 pages

Review

Finalist for the 2015 PEN/Jacqueline Bograd Weld Award for Biography

One of Booklist’s Top Ten Biographies of 2015

“Detailed and absorbing. . . . [B]ring[s] a storied public figure to life.” —The Washington Post

“A deeply informed portrait of the first lady and her native Chicago. . . . Her larger story, told so powerfully in Slevin’s biography, suggests she will forever be a force with which to be reckoned.”
—Chicago Tribune

“A must-read. . . . An important new biography. . . . Slevin treats [the First Lady] and her accomplishments with the detail and nuance they deserve.”
—Elle Magazine

“A standout. . . . Michelle Obama’s story is an American classic. . . . Slevin combines access to her and her family and friends with a keen understanding of American politics and history.”
—USA Today

“Thoughtful. . . . Ripe with revelations about her deeply complicated relationship with her own position as an Ivy League-­educated black woman. . . . Richly rendered context for Mr. Obama’s 2008 campaign, when Mrs. Obama suddenly became a litmus test.”
—The New York Times Book Review
 
“[A] meticulously reported, close-up look. . . . A detailed portrait of an ambitious, civic-minded woman with a track record for getting things done.”
—The Florida Times-Union
 
“Makes a convincing case that Mrs. Obama’s popularity today has more to do with events that took place on the south side of Chicago decades ago than with the work of an image maker in the East Wing of the White House.”
—The Wall Street Journal 
 
“Impressively reported and researched. . . . fast-paced.”
—Chicago magazine

“Richly detailed prose. . . . tons of little-known nuggets revealed in the book, offering readers a closer look at the Mrs. Obama they never knew.”
—NBC

“[An] intimate view of her life. . . . The most comprehensive portrait to date of the nation’s first African-American first lady.”
—Atlanta BlackStar
 
“The most ambitious and authoritative book about [First Lady Michelle Obama] yet. Richly reported, beautifully written, thoughtful in its judgments and revelatory in its details . . . a work that does justice to Michelle Obama in a fresh way.”
—John Heilemann, co-author of Game Change and Double Down
 
“The life of Michelle Obama is a uniquely American story, and Peter Slevin tells it beautifully in this deft, revealing work. . . . Slevin also paints a rich picture of Chicago’s South Side during the past century and the family and forces that helped shape this exceptional woman.”
—David Axelrod, former Senior Advisor to the President, director of the Institute of Politics at the University of Chicago
 
“Slevin is dogged in his reporting, nuanced in his storytelling and thoughtful in his analysis. He not only shows us who this historical first lady is, but how she came to be. In the process, he reveals much about our times and our culture.”
—Robin Givhan, Pulitzer Prize-winning critic for the Washington Post
 
“Compelling. . . . [An] exhaustive and thoughtful portrait. . . . will delight the most ardent Michelle Watchers.”
—Patrik Henry Bass, NY1
 
“An amazing, eye-opening biography that begins on Chicago’s South Side and ends in the White House. . . . a rich, powerful portrait at once revealing of Mrs. Obama and of ourselves as Americans.”
—Dexter Filkins, author of The Forever War 

About the Author

Peter Slevin spent a decade on the national staff of The Washington Post before joining Northwestern University’s Medill School of Journalism, where he is an associate professor. He has written extensively about Barack and Michelle Obama, as well as political campaigns and policy debates from one end of the country to the other. Slevin graduated from Princeton and Oxford. He lives with his family in Evanston, Illinois.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction
 
In June 2010, when Michelle Obama cast her eyes across the class of graduating high school seniors from one of Washington’s most troubled black neighborhoods, she saw not only their lives, but her own. The setting was Constitution Hall, where the Daughters of the American Revolution had prevented opera singer Marian Anderson from performing in 1939 because she was black. So much had changed in seven decades, and yet much had not. Michelle spoke to the graduates about the troubles facing African American children in Anacostia, and she spoke about racism. She pointed out that the neighborhood within sight of the U.S. Capitol once was segregated and that black people had been prohibited from owning property in parts of the community. “And even after those barriers were torn down,” she said, “others emerged. Poverty. Violence. Inequality.”
 
Michelle drew a straight line from her struggles with hardship and self-doubt in working-class Chicago to the fractured world the Anacostia students inhabited thirty years later. She told them about being written off, about feeling rejected, about the resilience it takes for a black kid in a public school to become one of the first in her family to go to college. “Kids teasing me when I studied hard. Teachers telling me not to reach too high because my test scores weren’t good enough. Folks making it clear with what they said or didn’t say that success wasn’t meant for a little girl like me from the South Side of Chicago.” As she spoke of her parents—their sacrifices and the way they pushed her “to reach for a life they never knew”—her voice broke and tears came to her eyes. As the students applauded in support, Michelle went on, “And if Barack were here, he’d say the same thing was true for him. He’d tell you it was hard at times growing up without a father. He’d tell you that his family didn’t have a lot of money. He’d tell you he made plenty of mistakes and wasn’t always the best student.”
 
She knew that many of the Anacostia students faced disruptions and distractions that sometimes made it hard to show up, much less succeed. It might be family turmoil or money troubles or needy relatives or children of their own. Or maybe the lack of a mentor, a quiet place to study, a lucky break. “Maybe you feel like no one has your back, like you’ve been let down by people so many times that you’ve stopped believing in yourself. Maybe you feel like your destiny was written the day you were born and you ought to just rein in your hopes and scale back your dreams. But if any of you are thinking that way, I’m here to tell you: Stop it.”
 
There were no cheap lines in Michelle’s speech that day, seventeen months after she arrived in the White House as the unlikeliest first lady in modern history. In a voice entirely her own, she reached deep into a lifetime of thinking about race, politics, and power to deliver a message about inequity and perseverance, challenge and uplift. These were the themes and experiences that animated her and set her apart. No one who looked like Michelle Obama had ever occupied the White House. No one who acted quite like her, either. She ran obstacle courses, she danced the Dougie, she hula-hooped on the White House lawn. She opened the executive mansion to fresh faces and voices and took her show on the road. She did sitcoms and talk shows and participated in cyber showcases and social media almost as soon as they were invented. Cameras and microphones tracked her every move. Maddening though the attention could be, she tried to make it useful. Amid a characteristic media fuss about a new hairstyle, she said of first ladies, “We take our bangs and we stand in front of important things that the world needs to see. And eventually, people stop looking at the bangs and they start looking at what we’re standing in front of.”
 
Michelle’s projects and messages reflected a hard-won determination to help the working class and the disadvantaged, to unstack the deck. She was more urban and more mindful of inequality than any first lady since Eleanor Roosevelt. She was also more steadily, if subtly, political. Not political in ways measured by elections or ephemeral Beltway chatter, although she made clear her convictions from many a campaign stage. Rather, political as defined by spoken beliefs about how the world should work and purposeful projects calculated to bend the curve. Her efforts unfolded in realms that had barely existed for African Americans a generation earlier, a fact that informed and complicated her work. “We live in a nation where I am not supposed to be here,” she once said.
 
Michelle’s prospects as first lady delighted her supporters and helped get Barack elected, but her story and its underpinnings remained unfamiliar to many white Americans in a country where black Americans often felt relegated to a parallel universe. “As we’ve all said in the black community, we don’t see all of who we are in the media. We see snip- pets of our community and distortions of our community,” Michelle said. “So the world has this perspective that somehow Barack and Michelle Obama are different, that we’re unique. And we’re not. You just haven’t seen us before.” She belonged to a generation that came of age after the civil rights movement. It was fashionable in some circles for people to declare that they no longer saw race, but translation would be required. As her friend Verna Williams put it, “So many people have no idea about what black people are like. They feel they know us when they really don’t.” Lambasted early as “Mrs. Grievance” and “Barack’s Bitter Half,” Michelle knew the burden of making herself understood. One of her favorite descriptions of her Washington life came from a California college student who described the role of first lady as “the balance between politics and sanity.”
 
During her years in the spotlight, Michelle became a point of reference and contention. She built and nurtured her popularity and emerged as one of the most recognizable women in the world. “You do not want to underestimate her, ever,” said Trooper Sanders, a White House aide. Indeed, Michelle seemed to stride through life, full of confidence and direction. Comfortable in her own skin, friends always said. Authentic. But when asked what she would say to her younger self, as an interviewer flashed her high school yearbook photo onto a giant screen, Michelle paused to consider. “I think that girl was always afraid. I was thinking ‘Maybe I’m not smart enough. Maybe I’m not bright enough. Maybe there are kids that are working harder than me.’ I was always worrying about disappointing someone or failing.”
 
At Constitution Hall, addressing 158 Anacostia seniors dressed in cobalt blue gowns, Michelle shared her history and her self-doubt. She offered advice and encouragement but skipped the saccharine. “You can’t just sit around,” she instructed. “Don’t expect anybody to come and hand you anything. It doesn’t work that way.” She asked them to think about the obstacles faced by Frederick Douglass, their neighborhood’s most illustrious former resident, born into slavery and self- educated in an era when it was illegal to teach slaves to read or write. His mother died when he was a boy and he never knew his father. But he made it, “persevering through thick and thin,” and spent decades fighting for equality. She also asked them to consider the current occupants of the White House. “We see ourselves in each and every one of you. We are living proof for you, that with the right support, it doesn’t matter what circumstances you were born into or how much money you have or what color your skin is. If you are committed to doing what it takes, anything is possible. It’s up to you.”

Most helpful customer reviews

25 of 32 people found the following review helpful.
A lively account of a remarkable person
By N. B. Kennedy
Peter Slevin's biography of First Lady Michelle Obama draws you in from the very first page. He begins with her own words, spoken at the graduation ceremony at a high school in a troubled black neighborhood. By doing so, he sets the stage for Mrs. Obama's life story, the daughter of working class parents who rose to prominence despite the overwhelming odds against her.

The story is delightfully told. Mr. Slevin enlivens the narrative not only with Michelle Obama's words but of scores of people whose lives have intersected with hers. And the quotes are entertaining! One woman who says she would have predicted that Michelle would become president rather than her husband, uses a moniker you might hear on the streets instead of in the halls of power (bad- you-can-guess).

After opening with the First Lady's words, the author backtracks to her family and childhood upbringing. Again, he casts his net wide as an interviewer, finding people who knew her parents, people who went to school with Michelle, people who have worked with her. He paints a picture of the times, and what it was -- and is -- like to be black in both her parents' time and her own.

The biography is, thankfully, not a standard-issue work of hagiography. The author doesn't shy way from the First Lady's missteps, like the time she wore designer sneakers to work in a soup kitchen. He also repeats unflattering, and downright nasty, comments from both Internet trolls and high-profile critics alike. By doing so, he draws attention to the damned-if-you-do, damned-if-you-don't role of the First Lady.

This enjoyable read is helped along by the fact that Michelle is a colorful personality who is in touch with not only her own generation, but younger generations as well -- she who tweets, dances with Jimmy Fallon, and performs in comedy skits. I have always appreciated her efforts to bring healthier habits to the nation's families and schools, so it was good to hear more about those initiatives. Perhaps most of all, I enjoyed learning about her role as "The Closer," a nickname she earned for her adept work on her husband's presidential election campaigns.

I am a very apolitical person and do not generally seek out articles or books having anything to do with politics, but even with the unavoidable political content of this biography, Mr. Slevin's book is a very enjoyable read, whichever side of the aisle you're on.

32 of 42 people found the following review helpful.
The Michelle I Always Wanted to Know
By James Hiller
Writing the biography of a first lady is a daunting business. You have a childhood to write about that may or may not be inspirational. You have the story of a presidential couple that everyone must feel they know a lot about, and the "real" couple behind the office and headlines to contend with. You also have the president, who could so overpower the First Lady as to seem diminutive and a mere echo of her husband. You also have a part of the population who, no matter what you say and/or write about a person, cannot see beyond their own political-goggles and will mercilessly attack a book no matter what the content. Peter Slevin manages to navigate successfully these potential issues in his new, fascinating book "Michelle Obama: A Life".

The story of her childhood is compelling, as she grew up on the south side of Chicago, having to contend with the pervasive racial factors that dominated the society during that time. Her parents gave her a firm grounding, insisting on education and expecting her to be a successful adult. That she fulfilled in spades.

We get to spend time with her in college, and at the start of her career. When Barack enters her life, she somehow manages to both transform and become more the woman she always was. It's a hidden testament to her character and drive, as well as her loving devotion to her husband, who was destined to be on an upward track. Even though the subsequent elections could possibly shadow the Michelle, Slevin steers the book towards her, and we get to see her both at her best and not-so-best.

In fact, Slevin writes a portrait of Michelle that is both honest and honoring. You don't feel at all that he regards her to put her on a pedestal. His intention is to tell her story as honestly as possible. The Michelle that emerges, through it all, is one of humanness, or humanity, and of considerable force and drive.

I must admit to being a Michelle Obama fan, so when this book came up for selection, I jumped at the chance. After reading it, I only admire her more. Even if you are not a fan, her story is a compelling look of one woman's journey through the heartland of America, to rise to become our First Lady. She is the epitome, mistakes and all, of our American Story.

5 of 7 people found the following review helpful.
Mrs. Obama as President?
By TLM-aka "Icart"
Much has been said about the First Lady in the press. Some complimentary; some not so complimentary. The truthfulness of the information is lacking. With all of this added together, we (meaning the population in general) end up with unnessary lies that tarnishes the reputation of the person involved and can hurt all of those surrounding him/he (Ie: children, parents, etc...). This book will help straighten out information about Mrs. Obama and give you a 'peek' into her past, present and future.

First, thrown away all of your political ambitions, goals, thoughts, and, yes, discriminations. You have to read this book as though she were your friend, mother, or neighbor. Personify her. Trust me: the book will be much more enjoyable. She has a very marked distinction over other first ladies: she's the first African-American first lady. She takes her role seriously. My opinion, and this is coming from a caucasian, 46-year old woman, is that she almost has to go WAY above and beyond to prove herself. Unlike other First Ladies she isn't afraid to show herself in public; she doesn't hide.

The book goes rather deeply into her life as far as biographies go. What was her childhood like? How did she handle growing up? Why does she make some of the decisions that she does as a first lady.

There are other books out there with Mrs. Obama as the topic. This book is different. The author has done an outstanding job telling her story. Some of it will be new information while much of it will be "old" information. It's very nonjudgmental. For the most part people will probably enjoy this book as much as I did.

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Minggu, 14 Maret 2010

[Y965.Ebook] Download Ebook POSTMODERNITY: Christian Identity in a Fragmented Age (Guides to Theological Inquiry), by Paul Lakeland

Download Ebook POSTMODERNITY: Christian Identity in a Fragmented Age (Guides to Theological Inquiry), by Paul Lakeland

POSTMODERNITY: Christian Identity In A Fragmented Age (Guides To Theological Inquiry), By Paul Lakeland. The industrialized innovation, nowadays assist every little thing the human demands. It includes the daily tasks, tasks, workplace, home entertainment, and also much more. Among them is the great net link and computer system. This condition will certainly reduce you to sustain one of your hobbies, reading behavior. So, do you have going to review this e-book POSTMODERNITY: Christian Identity In A Fragmented Age (Guides To Theological Inquiry), By Paul Lakeland now?

POSTMODERNITY: Christian Identity in a Fragmented Age (Guides to Theological Inquiry), by Paul Lakeland

POSTMODERNITY: Christian Identity in a Fragmented Age (Guides to Theological Inquiry), by Paul Lakeland



POSTMODERNITY: Christian Identity in a Fragmented Age (Guides to Theological Inquiry), by Paul Lakeland

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POSTMODERNITY: Christian Identity in a Fragmented Age (Guides to Theological Inquiry), by Paul Lakeland

More than a guidebook to the postmodernity debate, Lakeland's volume clarifies the impulses and critical impetus behind the cultural, intellectual, and scientific expressions of postmodern thought. He goes on to identify the import and issues it presents for religion and for areas of Christian theology. Concentrating on God, Church, and Christ, Lakeland outlines the church's mission to the postmodern world, including a constructive theological apologetics.

  • Sales Rank: #2336617 in Books
  • Published on: 1990-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .34" w x 5.50" l, .46 pounds
  • Binding: Paperback
  • 148 pages

From the Back Cover
More than a guidebook to the postmodernity debate, Paul Lakeland's lively and novel volume clarifies the critical impulses behind the cultural, intellectual, and scientific expressions of postmodern thought. He identifies the issues it presents for religion and for Christian theology. Concentrating on God, Church, and Christ, Lakeland outlines the church's mission to the postmodern world, including a constructive theological apologetics.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Postmodernism in a useful text
By FrKurt Messick
This book by Paul Lakeland, professor of religious studies at Fairfield University, is part of a series put out by Fortress Press, 'Guides to Theological Inquiry'. Books in this series are generally brief introductions and surveys of the highlighted issue - in this case, the intersection of postmodern thought with Christian theology. This is a difficult topic in which to write a short piece, because precision and clarity are elusive by the very nature of the topic. 'The semantic implications of "postmodernity" mislead us if we think the word itself contains meaning.'

Postmodernity is the time in which we find ourselves, but this is a term and a time largely defined against that which has come before. Lakeland states that 'the postmodern elements in our contemporary world are all manifestations in one way or another of a breakdown of what have previously been taken to be "givens", fundamental coordinates of experience.' This can be seen in music, architecture, literature, science and philosophy, as well as theology. There are lots of non's - postmodernism defines itself largely in terms of what it is not - it is non-political, non-foundational, etc. Lakeland identifies three particular types of postmodern person: the first is the one shaped by popular culture and media, and the second is the one who views modernity as the primary enemy. The third is more difficult to categorise: those who are 'critically present in and to' the world, but not snap-judgmental in condemnation of what has gone before, nor automatically accepting of anything with a post-modern veneer.

Lakeland explores the landscape of postmodern thought by looking at issues arising from the Enlightenment, subjectivity, relativism, and otherness, and explores the renewed relationship between science and religion as both have now shed the historic posture of automatic hermeneutical superiority. 'On the other hand, what postmodern science uncovers is a world in which mystery is real, not synonymous with mystification.' From this overall foundation, Lakeland explores the particular area of religion and theology, and how postmodern ideas unsettle both traditionalist and modernist ideas (it is part of the irony of the postmodern project, which has a larger tendency to reject foundationalism, that it in turn supports many traditionalist objections against the modernist views of biblical interpretation). Lakeland also explores in some detail the liberation, postliberal and countermodern positions in Christianity. Lakeland describes these (and the overall status of Christianity) as being decentered, and looks to the various trends to reshape the role of Christianity in the community, and vice versa. In typical postmodern fashion, Lakeland comes to no particular conclusion in these works, but rather sets out the main lines of thought and inquiry.

The final chapter, however, does get more constructive in its tone. Lakeland attempts to bring the best of the postmodern ideas to bear on apologetic theology, which is distinct from foundational, systematic or practical theology (but bears closest resemblance to systematic theology). Certain understandings are called for - the recognition that no standpoint is neutral, metanarratives draw in others, society change comes from the bottom or grassroots, and postmodernity is not a panacea or utopian fix for society. Lakeland argues for a Christianity that bears more similarity in appearance to those biblical images such as 'salt of the earth, the leaven in the mass, the beacon on the hill, or the quasi-mystical and almost gnostic "community of revelation" ' - these are communities that influence rather than convert, that engage rather than dominate. Lakeland argues against the triumphal and exclusive nature of the expression Christianity has had in many times in the past, and argues more for a way of being that see the world beyond Christendom in terms broader than old historic images of otherness.

This is a fascinating text, and provides a good overview of some of the challenges of postmodernism for the ongoing project of theology.

8 of 9 people found the following review helpful.
An Excellent Treatment of Postmodernism for Theologians
By Peter Fennessy
This book is part of a series to mediate to the theological thinker the work of other segments of the academic community. A great undertaking. Lakeland, chair of the Religious Studies Department of Fairfield University, authors this key volume on the important but amorphous topic of postmodernity. He discusses its salient characteristics in terms of a breakdown of the coordinates of time, space, and order. He describes a range of postmodern thinkers from the radical postmodernist children of the coming age who cannot get enough of it, to the late moderns critical of but still committed to the project of modernity, to the countermoderns who really hanker for the good old premodern days. He looks at how various representatives of each of these positions approach three key problems: the disappearance of the subject, ethical relativism, and the character of otherness. In chapter two he looks at how a similar range of postmodern thinkers approach the three related religious problems of, respectively, the reconceptualization of God, the Christian community in a pluralistic age, and the relation of Christianity and Christ to other religious traditions. Then Lakeland points out the agenda for Christian theology in the postmodern world. The intrachurch self understanding of the Christian community will continue to be the work of systematic theology. But if a true interfaith dialogue with and within the postmodern world is to take place, it will devolve upon a Christian apologetics located somewhere between a philosophy of religion and a fundamental philosophical theology to do the job. And that will be the difficult job of seeking ways to present Christianity in categories amenable to the age, but not unfaithful to the tradition, to enter the discussion with one's faith behind rather than in front, as the context out of which one speaks rather than the condition of dialogue within which one speaks. In his final chapter Lakeland suggests, given what he has already shown postmodernity to be capable of comprehending, how the three issues of God, church, and Christ might be approached by such an apologetics. The book gives an excellent overall view of postmodernity specifically in terms of interest to the Christian theologian, and it is well and wittily written. Since it is meant principally for other scholars and draws on and critiques the work of some two dozen thinkers, usually using the vocabulary unique to each, it will probably be more or less accessible to general readers depending on their familiarity with the authors cited.

6 of 11 people found the following review helpful.
Intriguing but ultimately unsuccessful attempt
By Anthony L. Macri, Jr.
In "Being and Nothingness," Jean-Paul Sartre's postmodern classic, Sartre correctly proposes that in order to truly examine oneself at his or her foundation, one must be outside the self as it is examined. Unfortunately, Sartre rightly contends, this being-for-itself on its own is impossible, and there is always and unavoidably a prejudice when it comes to self-examination. In "Postmodernity," Paul Lakeland desires to examine what he calls a "fragmented age" from within its own confines. Though a valiant attempt, Sartre's allegation is proven true: Lakeland produces a flawed, though not entirely wasted, critique of the postmodern age.
The title of Lakeland's book suggests that he will attempt two different, though related, objectives. First is the identification of postmodernity. Second is the discovery of a Christian identity in postmodernity, this "fragmented age." He begins the book with a very interesting, though inadequate, look at popular culture in contemporary times. He postulates that contemporary attitudes toward technology, design, and ways of life have contributed toward a "breakdown of givens: time, space, and order" (2). His arguments are fascinating, from the hotel with its spacious lobbies sans clocks (4), to the computer in a globally connected age (5). They suggest that his original assertion concerning the collapsing of givens is correct. However, he has not fully developed these examples, nor does he give himself the chance to do so. Assuming that the reader will agree with his arguments, he moves on.
The next two segments, it would seem to me, are invaluable toward the development of his overall argument. Postmodern "sensibilities," and the philosophical thought that reflects the times are at the crux of any possible analysis to be made on postmodernity itself. Unfortunately Lakeland makes broad, sweeping statements with only rudimentary evidence to support them. He states, "the emotional range is narrow, between mild depression at one end and a whimsical insouciance at the other," (8-9) and while he may have accurately depicted the postmodern sentimental scale, he does little to provide examples of such a generalization. Here begins Lakeland's tireless objective of categorization. He attempts to simplify the complexities of postmodern identity by assigning tendencies to categories. For example, the first distinction he makes is between those in the postmodern culture who are given the task of subjective value-giving, but loathe the responsibility and instead allow themselves to succumb to the will of the many (10), and those in postmodern culture who recognize their predicament, enjoy it to some extent, but ultimately wish to return to an earlier time (11). Lakeland also identifies a third group as amorphous and unidentifiable (11). Here lies the problem with his categorization. When he attempts to identify the unidentifiable, he falls into the Sartrian dilemma; without an objective place from which to view the postmodern world, the author cannot hope to evaluate accurately and without prejudice.
In dealing with thought in postmodernity, he seems to accurately depict the landscape as a post-enlightenment reaction to Kant's critique of reason and placement of emphasis on the subject. To deal with the topic in such cursory fashion, however, is in many ways a crime unto itself. In order to briefly summarize the entirety of postmodern thought, Lakeland resorts to more categorizations, and oftentimes they appear to be flawed or woefully incomplete ones at that. He places Martin Heidegger, for instance, within the umbrella group of a "postmodernism of nostalgia" (17). This is unfair - Heidegger's project may have been to remind man of his being as Da-sein but it is in a new way, not by way of nostalgia. This iniquitous classification of Heidegger is but one instance of a larger problem of unmerited categorization within the realm of postmodern thought.
The second section of Lakeland's short work is titled "Religion," and it looks at postmodern attitudes toward the philosophy of religion itself. Again, Lakeland begins with four groupings within this section - the groupings seem fair at the outset but still fall short of their intended goal of bringing the reader to some understanding of the distinctions and similarities of the individual thinkers. He makes two strong points in this section; first, that a decentering within the world has taken place and irrevocably this decentering affects all people, Christians and non-Christians alike, and second, that there has not yet been a completely successful non-anthropomorphic view of God in the postmodern world, when one is sorely needed (at least in his view). The decentering, or self-alienation, of humanity in the world is a very common theme in postmodern deconstructionalism, and Lakeland does an excellent job summarizing this characteristic. The anthropocentricism which Lakeland uncovers as a problem in the human dialogue about God does present a problem - but it is an unsolvable one, humanity must analogically apply human characteristics to anything in order to communicate about it, even God.. Though Lakeland wishes to speak in non-anthropomorphic terms, he does not present a clear way to completely do away with the language of humanizing God.
When this discussion enters the final section of the book - an attempt at a postmodern Christian apologetics - Lakeland asks the question, "is there a place any longer in postmodern Christianity for God, Christ, and the church?" (85). However, from a Christian standpoint, this is the wrong question. To ask if there is a place for God in postmodern thought is to, in some way, do what Lakeland protests against - to make God a thing in the world, as opposed to a transcendent creator. Finally, Lakeland introduces a Christology of Otherness at the end of "Postmodernity" that fascinates the reader, though he does not develop it far enough for it to leave a lasting impression. In all fairness to Lakeland, his project is extremely ambitious. As a survey of postmodernity, particularly Christian postmodern thought, it serves as a partially adequate introduction, though ultimately an unsuccessful attempt at objective analysis of this postmodern era. Sartre may be hard-pressed not to say, "I told you so."

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Sabtu, 13 Maret 2010

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Jazz: the Basics, by Christopher Meeder

Jazz: The Basics gives a brief introduction to a century of jazz, ideal for students and interested listeners who want to learn more about this important musical style. The heart of the book traces jazz's growth from its folk origins through early recordings and New Orleans stars; the big-band and swing era; bebop; cool jazz and third stream; avant-garde; jazz-rock; and the neo-conservative movement of the 1980s and 1990s.


Key figures from each era including: Louis Armstrong, Benny Goodman, Charlie Parker, Miles Davis, and Wynton Marsalis are highlighted along with classic works. The book concludes with a list of the 100 essential recordings to own, along with a timeline and glossary. Jazz: The Basics serves as an excellent introduction to the players, the music, and the styles that make jazz 'America's classical music.'

  • Sales Rank: #819412 in eBooks
  • Published on: 2012-08-06
  • Released on: 2012-08-06
  • Format: Kindle eBook

About the Author

Christopher Meeder is a graduate of the Master's program in Jazz History and Research at Rutgers University, Newark. He is also an active freelance musician in jazz, classical, and rock contexts.

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0 of 0 people found the following review helpful.
Good read
By NVM
Introductory Jazz book I had to buy for a class. Decent read. Book came as new

0 of 0 people found the following review helpful.
Five Stars
By k-tung
excellent

1 of 2 people found the following review helpful.
Light, easy and short
By Y.A
I really liked reading the book since it was just so simple and light. However, one of the main problems is that its just so short and if you find yourself wanting to know more you will just have to find something else. Still, a really good read.

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Are you ready for the latest process integration and business process management solution from SAP? Meet SAP Process Orchestration! This is your complete guide to the tools and components of SAP PO. Learn how to build and configure interfaces and use SAP BPM to manage your business processes. Thanks to both a practical and comprehensive approach, you'll find out how to configure the System Landscape Directory, create integration flows, monitor messages, manage processes, and much more.


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  • Sales Rank: #863005 in Books
  • Published on: 2015-05-03
  • Original language: English
  • Dimensions: 9.53" h x 1.97" w x 7.36" l,
  • Binding: Hardcover
  • 727 pages

About the Author
John Mutumba Bilay is a senior software engineer and enterprise integration consultant at Rojo Consultancy. With more than 12 years of international experience in information technology, including eight specifically devoted to SAP, his specialty is software development, integration, and business process automation.


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Good for PO beginners or people who move from PI ...
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Good for PO beginners or people who move from PI to PO.
Unfortunately it misses some important things mainly in UI technologies chapter.

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Eleutheria, by Samuel Beckett

The abandoned manuscript of Samuel Beckett's first play, Eleutheria has finally found its way into print after a highly dramatic legal and literary battle. It is clear that Eleutheria merits both publication and production, but it must be placed into perspective. Waiting for Godot is revolutionary; Eleutheria is evolutionary. The play, a valuable addition to Beckett's body of work, will be of interest to anyone concerned with the author's art and with exploratory theater.

  • Sales Rank: #2387919 in Books
  • Published on: 1998-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.50" w x .50" l,
  • Binding: Paperback
  • 196 pages

From Booklist
Written almost two years before Waiting for Godot, Eleutheria was not produced or published in Beckett's lifetime. Instead, it lay in a trunk for 40 years until Beckett gave the manuscript to his lifelong friend and publisher, Barney Rosset, who was long associated with Grove Press. It's a shame the play remained hidden so long, because although it lacks the power and economy of Godot and later plays, it still bristles with Beckett's sharp wit and insight about hopelessness, spiritual exhaustion, and moral paralysis--themes that show up again and again in his later work. The play even revolves around a young nihilist bohemian named Krapp who bears a passing resemblance to the protagonist of Krapp's Last Tape. Michael Brodsky's new translation of the long unavailable play will delight Beckett scholars and aficionados alike. Jack Helbig

Language Notes
Text: English (translation)
Original Language: French

About the Author
Samuel Beckett was born in Dublin in 1906. He was educated at Portora Royal School and Trinity College, Dublin, where he graduated in 1927. His made his poetry debut in 1930 with Whoroscope and followed it with essays and two novels before World War Two. He wrote one of his most famous plays, Waiting for Godot, in 1949 but it wasn't published in English until 1954. Waiting for Godot brought Beckett international fame and firmly established him as a leading figure in the Theatre of the Absurd. He received the Nobel Prize for Literature in 1961. Beckett continued to write prolifically for radio, TV and the theatre until his death in 1989.

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Rabu, 03 Maret 2010

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Teaching Woodwinds, by Harold Gene Griswold

For one semester/quarter courses in woodwind methods. Teaching Woodwinds has draws on the authors thirty-five years of experience teaching woodwinds to students. Organized by specific teach topics from the fundamentals of hand and finger position to articulation and intonation. Drawing on a classic set of  teacher/student duets, the included twenty-five class lessons enable students to learn by doing and by listening as they play duets with the instructor.

  • Sales Rank: #571620 in Books
  • Published on: 2007-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .90" w x 8.40" l, 1.51 pounds
  • Binding: Paperback
  • 350 pages

From the Back Cover

For one semester/quarter courses in woodwind methods.

 

Teaching Woodwindshas draws on the authors thirty-five years of experience teaching woodwinds to students. Organized by specific teach topics from the fundamentals of hand and finger position to articulation and intonation.

 

Drawing on a classic set of 19thcentury teacher/student duets, the included twenty-five class lessons enable students to learn by doing and by listening as they play duets with the instructor.

About the Author

H. Gene Griswold has taught woodwinds methods at Towson University for the past twenty five years.

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Senin, 01 Maret 2010

[G175.Ebook] Free Ebook Chemistry of Structure-Function Relationships in Cheese (Advances in Experimental Medicine and Biology)From Springer

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Chemistry of Structure-Function Relationships in Cheese (Advances in Experimental Medicine and Biology)From Springer

Chemistry of Structure-Function Relationships in Cheese (Advances in Experimental Medicine and Biology)From Springer



Chemistry of Structure-Function Relationships in Cheese (Advances in Experimental Medicine and Biology)From Springer

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Chemistry of Structure-Function Relationships in Cheese (Advances in Experimental Medicine and Biology)From Springer

Although the art of making cheese can be traced to prehistoric times, it has continued to evolve as modern civilization progressed. The advent of new technologies and instrumentation has brought exponential growth in the understanding of cheese components and their function. Even more recently, the evolution of cheesemaking has accelerated, driven by economic factors such as the establishment of the European Economic Community, the changing diet of developed countries, and the environmental and economic concerns associated with whey disposal. Molecular biology has revolutionized the development of starter and adjunct cultures as well as rennets, and genetics will make it possible to maintain ideal milk components for cheesemaking. The ability to accelerate traditional ripening procedures has altered the production of certain cheeses, and the emphasis on decreasing the intake of dietary fat, especially in the United States, has prompted the development of technology for producing low-fat cheeses with traditional texture and flavor. In assembling a distinguished group of participants for the symposium, "Chemistry of the Structure/Function Relationships in Cheese," we hoped to review the interplay of these trends and forecast the direction of future research. Contributors evaluated the current status of cheesemaking and highlighted the information that will be essential for new developments. They also focused the attention of agricultural and food chemists on the opportunities in cheese research and the potential contributions they might make to the future of cheese, a most valuable food product. We are indebted to Dr. Patrick Fox, Dr. Mark Johnson, Dr. Milos Kalab, Dr.

  • Sales Rank: #7659455 in Books
  • Published on: 1995-06-30
  • Released on: 1995-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .92" w x 7.01" l, 1.55 pounds
  • Binding: Paperback
  • 397 pages

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