Free PDF Rules for the Dance: A Handbook for Writing and Reading Metrical Verse, by Mary Oliver
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Rules for the Dance: A Handbook for Writing and Reading Metrical Verse, by Mary Oliver
Free PDF Rules for the Dance: A Handbook for Writing and Reading Metrical Verse, by Mary Oliver
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"True ease in writing comes from art, not chance, / As those move easiest who have learn'd to dance," wrote Alexander Pope. "The dance," in the case of Oliver's brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."
- Sales Rank: #34882 in Books
- Published on: 1998-07-27
- Released on: 1998-07-27
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .53" w x 5.50" l, .45 pounds
- Binding: Paperback
- 208 pages
Amazon.com Review
Just as dancing is "the art of moving in accord with a pattern," says Mary Oliver, so is writing metrical verse. "One sorts out the pattern, one relies on it, and relaxes from effort to pleasure." The rules (concerning rhyme, line length, and pattern) are made if not to be deliberately flouted, then at least to be toyed with. Oliver claims to have written this book for both writers and readers of metrical verse, but it is an odd sort of fit for either. A writer might wish for a little more detail; a reader might find too much. The book works best as a kind of refresher course, for those who have forgotten the difference between metaphysical and Petrarchan conceits, between masculine and feminine rhymes, and would like to brush up a bit. Oliver does a wonderful job of explaining why the most common forms of metrical verse came to prevail (for instance, the five-foot line is "the line which is the closest to the breathing capacity of our lungs"), and of nudging us into reading more metrical poetry (nearly half this volume is devoted to works by John Donne, William Blake, Emily Dickinson, Elizabeth Bishop, and others). Blessedly, Oliver reminds us that, though one could get carried away trying new meters and forms, one shouldn't expect to be writing a lot of double ionics anytime soon. "Expect to use one hypersyllabic foot in ten years, perhaps," she says. "Anacrusis, rarely. Catalexis: often. The double ionic: when the next comet flies over." --Jane Steinberg
Review
"What good company Mary Oliver is!" The Los Angeles Times
About the Author
Mary Oliver is one of the most celebrated and best-selling poets in America. Her books include Red Bird; Our World; Thirst; Blue Iris; New and Selected Poems, Volume One; and New and Selected Poems, Volume Two. She has also published five books of prose, including Rules for the Dance and, most recently, Long Life. She lives in Provincetown, Massachusetts.
Most helpful customer reviews
98 of 100 people found the following review helpful.
A masterful, spare, profound look at the craft of poetry.
By W. Noble
Mary Oliver brings to this small book all the clarity and economy that characterize her poetry, and produces the most plain-spoken, profound work that I have read on poetry as a conscious craft. The book is divided into five parts. Part One is 12 brief, carefully-exampled chapters with titles like "Breath", "Line Length", and "Meter in Non-Metric Verse". Part Two is a single chapter on "Style". Part Three explores scansion for both reader and writer. Part Four is a 2-page statement of the timelessness of poetry. Part Five is a fine little anthology of works studied in the earlier text. This austere, remote poet has written a book that speaks to the reader with great intimacy and passion. To quote from Oliver's envoi: "No poet ever wrote a poem to dishonor life, to compromise high ideals, to scorn religious views, to demean hope or gratitude, to argue against tenderness, to place rancor before love, or to praise littleness of soul. Not one. Not ever."
0 of 0 people found the following review helpful.
but a great help to those who ore working to be good ...
By Mary Weinberg
Mary Oliver's latest book is very helpful, not only is she mamarvolous poet, but a great help to those who ore working to be good poets.
15 of 15 people found the following review helpful.
Mary Oliver shines
By John Grant Carr-shanahan
Mary Oliver shines in this prose manual on the writing and issues of poetic composition. Her economy of words combines with an easy style to help an utter novice (like me) gain an understanding of the metric and rhyming tools involved. Clarity and suppleness of expression mark this book and I would recommend it to anyone who reads poetry or has an interest in trying their hand at writing.
What you may enjoy the most is that Mary does not wander all about the landscape of poetry, but maintains a steady course and uses many pretty little examples to illustrate the concepts. The book is not long but is one of those gems that you will enjoy diving into from time to times for some thoughtful reading on poetics. The author's personality shines through the words - and there is no pretense here, just someone who loves and lives through words.
Consider reading her Wild Geese if you haven't yet - a stunning beautiful piece of work.
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