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These 31 stories span a literary career of more than 50 years and serve as a true testament to "one of America's most distinguished men of letters."--The Boston Globe. Here are tales of young love and older wisdom; of the order and consistency of the natural world; and of the chaos, contradictions and continuities of the human being.
- Sales Rank: #322002 in Books
- Published on: 1991-03-01
- Released on: 1991-03-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .96" w x 5.36" l,
- Binding: Paperback
- 544 pages
From Publishers Weekly
These 31 classic stories record much of the cultural climate of 20th-century America, its West in particular, constituting, as the NBA and Pulitzer Prize-winning author affectionately notes, not an autobiography, but "a sort of personal record." As combined here, the tales are a window onto a vivid American past that is as focused as a Norman Rockwell painting, although far more astringent and hardly as wholesome. Settings range from Stegner's native Canada to Utah, California and Vermont--all memorable places in the author's life. The stories are not arranged chronologically: Stegner's dark, voyeuristic peek into the lives of women awaiting letters from men serving in WW II gives way to an account of a bloodthirsty boyhood on the hot, flat frontier of a Saskatchewan farm. Best of all is the slicing wit of "Field Guide to the Western Birds," in which a curmudgeon acidly comments on the petulant antics of a would-be virtuoso. Several of the stories have been reshaped and interpolated into such novels as Wolf Willow and The Big Rock Candy Mountain.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
Stegner is best known for his epic novels of the American West--books such as the Pulitzer Prize-winning Angle of Repose (1971)--but in his younger years he was a prolific short story writer. Like the novels, Stegner's stories are traditional in style and typically look back with nostalgic longing to a nobler period of America's past. However, since most of these works were written in the Thirties, Forties, and Fifties, the "present" Stegner condemns is itself impossibly old-fashioned, and his anti-modern bias seems a bit ridiculous. Some of the stories in this collection are simply museum pieces, but several retain their vitality, notably "The Sweetness of the Twisted Apples," "The City of the Living," and "The Volunteer." Recommended for larger fiction collections.
- Edward B. St. John, Loyola Law Sch., Los Angeles
Copyright 1990 Reed Business Information, Inc.
Most helpful customer reviews
21 of 22 people found the following review helpful.
LITERATURE WITH A BIG "L"
By GK
In his short stories, Wallace Stegner writes scenes and descriptions that come alive as if the reader were right there, looking and feeling and smelling the world of the 1930's, 1940's and 1950's, shaking hands with down-home people, making small talk and eating a home-cooked meal. In fact, they are so well written, his stories remind me of 3-D. When 3-D movies first came out people in the theaters screamed and ducked for cover as the characters on the big screen seemed to leap right out into the audience. They were that real. Well, that's the best way I can describe Wallace Stegner's writing. It's as real as it gets considering it's just words on a piece of paper. But those beautiful words leap right off the page.
There are thirty-one stories in this book of which the author says came from his life. However, it's not an autobiography. He says he can't be trusted to write his biography. To quote, "I can't control my impulse to rearrange, suppress, add, heighten, invent, and improve." The result of all that creativity is some of the finest writing you'll ever come across. And that's not just my opinion. It's the opinion of those nice folks who gave him the Pulitzer Prize and the National Book Award.
Of course, I always have to give a plug for Penguin Classic books. Love their style.
This book is what Literature is all about. I give it five stars.
15 of 16 people found the following review helpful.
Stegner's Collection of Stories is all You'll Need
By S. DEMILLE
Of all the authors I have read, few evoke such good feelings as Wallace Stegner. It's a shame that he was killed in a car crash in the early 1990s. I think he was just getting warmed up and he certainly had decades of experience yet to share with us. This collection of stories, like his novels, shows the conflicts of the human soul. Stegner liked to write about young boys coming of age in an often thoughtless society (and family). And, as you will learn by reading Jackson Benson's biography of him, Stegner had an autobiographical bent while writing his fiction. The locales of his stories resemble those places where his gambling, drinking father took him and his family in the early 1900s. It seems that Stegner was obsessed with his father, and many of his stories feature a version of him. He and his father had a rather poor relationship and Stegner's writing about him perhaps was his effort at catharsis. My favorite story in this collection is Goin' to Town. The expectations of this poor boy are shot to .... and he is left to endure the boredom of yet another day. Excellent stories, excellent writer.
6 of 6 people found the following review helpful.
Stegner is a literary hero
By Someone Else
There are 31 stories in this collection, written over a period of about 50 years. Naturally, the subject matter and quality varies. Stegner himself chose the stories for inclusion, as well as their arrangement in the collection. He clearly knew his best writing, because the better stories are in the first 1/2 to 2/3 of the book.
In the Foreword, Stegner says about the stories:
"I lived them, either as a participant or spectator or auditor, before I made fictions of them...and because the world and I were changing at an ever accelerating rate, some stories reflect events, social attitudes, and even diction that now seem dated."
This is what makes the collection worth reading. It covers so many time periods and lifestyles that are forever gone, preserved in literary amber by one who actually lived through those bygone eras.
The stories cover a variety of historical topics: the 1918 influenza epidemic, WWII wives waiting for letters from their soldier husbands, ranching life on the plains of Saskatchewan, and Prohibition days in Salt Lake City. All from someone who was there.
I think the most perfect story in the collection is "Double Corner." It showcases Stegner's talent for creating a powerful sense of place, as well as his ability to express the beautiful and heartbreaking impulses that make us human. If you read no other stories in this book, at least read this one.
"Double Corner" is about a little family of California fruit growers who try to take on the task of caring for the husband's mother rather than placing her in an old folks' home. But the mother has dementia, and all their love and good intentions may not be enough to keep her safe and keep themselves from falling apart. Stegner lets us see how difficult it is for everyone when a loved one is losing mental faculties, and how frightening life becomes for the one with dementia.
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